<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1794-5887</journal-id>
<journal-title><![CDATA[Co-herencia]]></journal-title>
<abbrev-journal-title><![CDATA[Co-herencia]]></abbrev-journal-title>
<issn>1794-5887</issn>
<publisher>
<publisher-name><![CDATA[Departamento de Humanidades de la Universidad EAFIT]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1794-58872020000200067</article-id>
<article-id pub-id-type="doi">10.17230/co-herencia.17.33.3</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Del autómata al personaje de animación: evolución de los sistemas de representación y reconocimiento del movimiento]]></article-title>
<article-title xml:lang="en"><![CDATA[From the Automaton to the Animation Character: Evolution of Representation Systems and Recognition of Movement]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Guzmán-Ramírez]]></surname>
<given-names><![CDATA[Jesús Alejandro]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ríos-Arce]]></surname>
<given-names><![CDATA[Diego Felipe]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Aristizábal Gómez]]></surname>
<given-names><![CDATA[Juan David]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Caldas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad Jorge Tadeo Lozano  ]]></institution>
<addr-line><![CDATA[Bogotá ]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidad Jorge Tadeo Lozano  ]]></institution>
<addr-line><![CDATA[Bogotá ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2020</year>
</pub-date>
<volume>17</volume>
<numero>33</numero>
<fpage>67</fpage>
<lpage>100</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S1794-58872020000200067&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S1794-58872020000200067&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S1794-58872020000200067&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen A lo largo de la historia el ser humano ha sentido interés por el fenómeno del movimiento y su vínculo con la ilusión de vida; diferentes mecanismos y sistemas articulados se han construido con el fin de insuflar vida en seres inertes. El presente artículo reflexiona sobre la cualidad móvil del acto creador presente en diferentes campos socioculturales, desde el misticismo hasta los avances tecnológicos. Se parte del enigma del anima (alma), y su conexión con los creadores, denominados ejecutantes (constructor-operador, titiritero y animador) y sus creaciones, denominadas &#8220;avatares encarnados&#8221; (autómata, títere y personaje animado). Se analizan las relaciones de control-libertad, dependencia-independencia entre el ejecutante y su &#8220;avatar encarnado&#8221;; como también el grado de aceptación que tiene la audiencia al ver las creaciones reproducidas bajo el dispositivo diacrónico (máscara-pantalla). La transición del autómata al personaje animado constata la evolución de los sistemas de representación y reconocimiento del movimiento.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Throughout history, humans have been interested in the phenomenon of movement and its connection to the illusion of life; different mechanisms and articulated systems have been built with the purpose of breathing life into inert beings. In this article, the movement quality of the creation act present in different socio-cultural fields is reflected on in areas ranging from mysticism to technology. The starting point is the enigma of the anima (soul) and its connection to the creators-named per-formers (i.e., builder-operator, puppeteer, and animator)-and their creations-called &#8220;embodied avatars&#8221; (i.e., automaton, puppet, and animated character). The relationships of control- freedom and dependence-independence between the performer and their &#8220;embodied avatar&#8221; are analyzed, as well as the degree of acceptance that the audience shows when watching the creations that are reproduced through the diachronic device (mask-screen). The automaton&#8217;s transition toward the animated character proves the evolution of representation systems and the recognition of movement.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Anima]]></kwd>
<kwd lng="es"><![CDATA[autómata]]></kwd>
<kwd lng="es"><![CDATA[títere]]></kwd>
<kwd lng="es"><![CDATA[personaje animado]]></kwd>
<kwd lng="es"><![CDATA[avatar encarnado]]></kwd>
<kwd lng="es"><![CDATA[ejecutante]]></kwd>
<kwd lng="es"><![CDATA[máscara-pantalla.]]></kwd>
<kwd lng="en"><![CDATA[Anima]]></kwd>
<kwd lng="en"><![CDATA[automaton]]></kwd>
<kwd lng="en"><![CDATA[puppet]]></kwd>
<kwd lng="en"><![CDATA[animated character]]></kwd>
<kwd lng="en"><![CDATA[embodied avatar]]></kwd>
<kwd lng="en"><![CDATA[performer]]></kwd>
<kwd lng="en"><![CDATA[mask-screen.]]></kwd>
</kwd-group>
</article-meta>
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