<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1794-9165</journal-id>
<journal-title><![CDATA[Ingeniería y Ciencia]]></journal-title>
<abbrev-journal-title><![CDATA[ing.cienc.]]></abbrev-journal-title>
<issn>1794-9165</issn>
<publisher>
<publisher-name><![CDATA[Escuela de Ciencias y Humanidades y Escuela de Ingeniería de la Universidad EAFIT]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1794-91652015000200005</article-id>
<article-id pub-id-type="doi">10.17230/ingciencia.11.22.5</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Towards Procedural Map and Character Generation for the MOBA Game Genre]]></article-title>
<article-title xml:lang="es"><![CDATA[Generación procedimental de mapas y personajes para un juego del género MOBA]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cannizzo]]></surname>
<given-names><![CDATA[Alejandro]]></given-names>
</name>
<xref ref-type="aff" rid="A01"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ramírez]]></surname>
<given-names><![CDATA[Esmitt]]></given-names>
</name>
<xref ref-type="aff" rid="A02"/>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,Universidad Central de Venezuela  ]]></institution>
<addr-line><![CDATA[Caracas ]]></addr-line>
<country>Venezuela</country>
</aff>
<aff id="A02">
<institution><![CDATA[,Universidad Central de Venezuela  ]]></institution>
<addr-line><![CDATA[Caracas ]]></addr-line>
<country>Venezuela</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>07</month>
<year>2015</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>07</month>
<year>2015</year>
</pub-date>
<volume>11</volume>
<numero>22</numero>
<fpage>95</fpage>
<lpage>119</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S1794-91652015000200005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S1794-91652015000200005&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S1794-91652015000200005&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[In this paper, we present an approach to create assets using procedural algorithms in maps generation and dynamic adaptation of characters for a MOBA video game, preserving the balancing feature to players. Maps are created based on offering equal chances of winning or losing for both teams. Also, a character adaptation system is developed which allows changing the attributes of players in real-time according to their behaviour, always maintaining the game balanced. Our tests show the effectiveness of the proposed algorithms to establish the adequate values in a MOBA video game]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[En este artículo, presentamos un enfoque empleando algoritmos procedurales en la creación de mapas y adaptación dinámica de personajes en un videojuego MOBA, preservando el aspecto de balance para los jugadores. Los mapas son creados para ofrecer igual oportunidad de ganar o perder para los equipos. También, se desarrolló un sistema de adaptación de personajes que permite cambiar en tiempo real los atributos de los jugadores de acuerdo a su comportamiento, siempre manteniendo el balance. Nuestras pruebas demuestran la eficacia de los algoritmos para establecer los valores adecuados en un videojuego MOBA]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[procedural content generation]]></kwd>
<kwd lng="en"><![CDATA[multiplayer on-line battle aren]]></kwd>
<kwd lng="en"><![CDATA[video game]]></kwd>
<kwd lng="en"><![CDATA[balanced game]]></kwd>
<kwd lng="es"><![CDATA[generación procedimental de contenido]]></kwd>
<kwd lng="es"><![CDATA[batalla en arena multijugador en línea]]></kwd>
<kwd lng="es"><![CDATA[videojuego]]></kwd>
<kwd lng="es"><![CDATA[juego equilibrado]]></kwd>
</kwd-group>
</article-meta>
</front><body><![CDATA[  <font size="2" face="Verdana, Arial, Helvetica, sans-serif">   </font>    <p align="right"><font size="2" face="Verdana, Arial, Helvetica, sans-serif"><b>ART&Iacute;CULO ORIGINAL</b></font></p>     <p align="right">&nbsp; </p> <font size="2" face="Verdana, Arial, Helvetica, sans-serif">    <p align="right">DOI: <a href="http://dx.doi.org/10.17230/ingciencia.11.22.5" target="_blank">10.17230/ingciencia.11.22.5</a></p>     <p align="center">&nbsp;</p>     <p align="center"><b><font size="4">Towards Procedural Map and Character Generation for the MOBA Game Genre </font></b></p>     <p align="center">&nbsp;</p>     <p align="center"><b><font size="3">Generaci&oacute;n procedimental de mapas y personajes para un juego del g&eacute;nero MOBA</font></b></p> </p>     <p>&nbsp;</p>     <p><b>Alejandro Cannizzo<sup>1</sup> and Esmitt Ram&iacute;rez<sup>2</sup></b>      ]]></body>
<body><![CDATA[<p>1 Universidad Central de Venezuela, Caracas, Venezuela, <a href="mailto:alejandro.cannizzo@gmail.com">alejandro.cannizzo@gmail.com</a>.     <p>2 Universidad Central de Venezuela, Caracas, Venezuela, <a href="mailto:esmitt.ramirez@ciens.ucv.ve">esmitt.ramirez@ciens.ucv.ve</a>. </p>     <p>&nbsp;</p>     <p>Received: 15-12-2014  Accepted: 13-03-2015  Online: 31-07-2015    <br> </p>     <p>MSC:68U05  PACS:89.20.Ff  </p>     <p>&nbsp;</p> <hr size="1">     <p><b>Abstract</b></p>     <p>    In this paper, we present an approach to create assets using procedural algorithms in maps generation and dynamic adaptation of characters for a MOBA video game, preserving the balancing feature to players. Maps are created based on offering equal chances of winning or losing for both teams. Also, a character adaptation system is developed which allows changing the attributes of players in real-time according to their behaviour, always maintaining the game balanced. Our tests show the effectiveness of the proposed algorithms to establish the adequate values in a MOBA video game.</p>     <p><b>Key words:</b> procedural content generation; multiplayer on-line battle aren; video game; balanced game </p> <hr size="1">     ]]></body>
<body><![CDATA[<p><b>Resumen</b></p>     <p>En este art&iacute;culo, presentamos un enfoque empleando algoritmos procedurales en la creaci&oacute;n de mapas y adaptaci&oacute;n din&aacute;mica de personajes en un videojuego MOBA, preservando el aspecto de balance para los jugadores. Los mapas son creados para ofrecer igual oportunidad de ganar o perder para los equipos. Tambi&eacute;n, se desarroll&oacute; un sistema de adaptaci&oacute;n de personajes que permite cambiar en tiempo real los atributos de los jugadores de acuerdo a su comportamiento, siempre manteniendo el balance. Nuestras pruebas demuestran la eficacia de los algoritmos para establecer los valores adecuados en un videojuego MOBA.</p>     <p><b>Palabras clave:</b> generaci&oacute;n procedimental de contenido; batalla en arena multijugador en l&iacute;nea; videojuego; juego equilibrado</p> <hr size="1">     <p>&nbsp;</p>     <p>     <p><b><font size="3"> 1&nbsp;&nbsp;Introduction</font></b></p>     <p>Nowadays, a computer game demands several materials to compose   complex and large scene, carrying high costs in their content   development. The Digital Content Generation (DCG) - subset of the   Procedural Content Generation (PCG) algorithms - is a keystone in   modern video games which is formed by a set of algorithms to produce   levels, maps, assets, characters, weapons, and others, offering a   reduction on game production costs. The main goal of DCG is to   create novel game elements, off-line or on real-time. </p>     <p>   Since early days of video game development, developers had issues regarding the memory taken up by the game levels they created. Generally, this introduces a limitation to the size of the virtual worlds created. In order to be able to create bigger worlds, the developers focused on reducing the size of data employed for virtual world creation. Thus, DCG algorithms were created to be used as a tool to reduce the storage space taken up by the levels created on video games.</p>     <p>   The DCG is used by developers to solve a big problem in the   development cycle of video games: time. Developers use these   algorithms to reduce the amount of time taken to create a game or   certain features of it. Particularly, there is a video game genre   called Real-Time Strategy (RTS) where participants have to control   secure areas of a map and eliminate their opponents assets   (<i>e.g</i> towers, buildings, shelters, and so on). In this   genre, the <i>Multiplayer on-line Battle Arena</i> (MOBA) is a   sub-genre which allows the presence of two teams to battle against   each other. Generally, maps are static and the content available to   players is constantly growing to scale the game. When these games   are created, game designers have to spend increasingly amounts of   time due to design issues caused by the newly added content. Also,   terrain of game levels in MOBA are based on height maps, which are   conveniently designed to apply procedural algorithms.</p>     <p>   A distinguished area in MOBA is concerned with characters, where they are designed to evolve in time during the game (<i>i.e.</i> on their power or abilities). In order to reduce the time required and to make fast MOBA prototypes, we present an approach to the study and implementation of a DCG algorithm in a MOBA video game. Mainly, we focus on the generation of terrain maps and the evolution of player's abilities in the game using genetic algorithms.</p>     ]]></body>
<body><![CDATA[<p>   This paper is structured as follows: Section 2 presents a   brief introduction in dynamic content generation as a video game   design solution, including a few previous works in that area.   Following that, in section 3, we explain details of our   proposal to use the DCG algorithms in MOBA video games. Section   4 shows the experiments and results achieved using   our approach. Finally, conclusions and future works are presented in   section 5.</p>     <p>     <p><b><font size="3"> 2&nbsp;&nbsp;Dynamic content generation</font></b></p>     <p>The procedural generation is the process to generate content   algorithmically rather than manual. This research area is not new in   Computer Science, where several works were developed. Procedural   generation originated in 1975 when Benoit Mandelbrot &#91;1&#93;   defined the <i>fractal</i> object which describes such repeating   or self-similar mathematical pattern. This idea is used in several   application such as creation of textures &#91;2&#93;, cities   &#91;3&#93;, forests based on L-Systems &#91;4&#93;, terrains   &#91;5&#93;, video games &#91;6&#93;, and other areas. Commonly,   in video games this process is called Dynamic Content Generation.</p>     <p>   The powerful of procedural generation allows to integrate several   research field to solve problems. For instance, in 2013, Genevaux et   al. &#91;7&#93; define a novel way of generating terrain   based on hydrology. Their algorithm takes as initial input the   contour of the terrain and some rivers given by the user. Then, the   algorithm will take the input information and start generating a   complete drainage river network, resulting in a complete formation   of rivers that go from springs to outlets, with the expected height   variation. After the rivers are created they start working on the   remaining terrain using different building blocks to and modifying   the terrain accordingly to the rivers so that the overall   result of the map is topologically correct.</p>     <p>   Specifically in the video game development area, Dynamic Content   Generation was used to create larger levels with lesser   amounts of data to address issues regarding the memory storage at   that time. After the memory storage concerns dissipated, the DCG   started to be used to generate other kinds of content to increase   the effective range of content that was show to the player, removing   much of the monotony produced by repetitive content. These   algorithms are not restricted to be used during run-time and that   they can generate content to be embedded inside a game once it is   finished. As an example, a forest may be created procedurally to be   later inserted into the game as a static asset that will remain the   same throughout the game.</p>     <p>   It is possible to classify DCGs according to the moment of the   generation of the data (on-line vs off-line), or the   prioritization of their dependences in the game (necessary vs   optional), or based on the base values to start the generation of   dynamic data (simple seed vs parameter vector), or by level of   randomness (deterministic vs no-deterministic), or by measuring the   evolution of generations (one-time construction vs constant-time   construction), etc. The important fact is that these techniques were   used as tools by developers to shorten the development time of the   project and to increase the amount of content presented to the   player. A remarkable example of this was presented in 2011 by   Browne &#91;8&#93; developing a tool which involves the deep   integration of procedural content generation into game mechanics and   aesthetics to many genres, including PCG-based games.</p>     <p>   There are several research works in procedural game content to   generate coherent visual aspects on a game. In the literature   there are several examples in adaptive or personalized procedural   content according to a game genre &#91;9&#93;,&#91;10&#93;. For   instance, distinguished examples such as the optimization of tracks   in car racing games &#91;11&#93;, weapons generation for space   shooter games &#91;12&#93;, rulesets for board and predator-prey   games &#91;13,14&#93;, automatic levels based on playing style   for platform games &#91;15&#93;,&#91;16&#93;, music generation   according to the genre or mood of games &#91;17&#93;, and others.   Similarly, it is possible to generate dynamic content based on a set   of instructions using some language such as ASP (Answer Set   Programming) for PCG on spaces &#91;18&#93;. Particularly, level   generation has been applied since the rise of previously popular   games such as Rogue&reg;<sup><a href="#1">1</a><a name="b1"></a></sup>,   Diablo&reg;<sup><a href="#2">2</a><a name="b2"></a></sup> and   Spelunky&reg;<sup><a href="#3">3</a><a name="b3"></a></sup> to current games such as   Minecraft. <a href="#f1">Figure 1</a> shows   a part of Spelunky&reg; where rooms and   obstacles were generated procedurally, as well as a screenshot of Minecraft&reg;.</p>     <p align="center"> <a name="f1"></a><a href="#4"><img src="/img/revistas/ince/v11n22/v11n22a5f1.jpg"></a></p>     <p>&nbsp;</p>     ]]></body>
<body><![CDATA[<p><b>2.1&nbsp;&nbsp;Dynamic Content Generation on MOBA</b></p>     <p>As mentioned before, MOBA <i>Multiplayer on-line Battle Arena</i> is a sub-genre of RTS in which two teams exists, each with the   objective of destroying the main structure (<i>e.g</i>. tower,   castle, fort) of the opponent. Typically, a character belonging to a   team has various abilities and advantages that improve over the   course of the game (increasing the global performance of its team). </p>     <p>   There are a number of MOBA video games that created game worlds   procedurally, mostly in the form of some kind of level generator   &#91;19&#93;. The generation of maps or virtual spaces (levels) can   be carried out in four different ways &#91;20&#93;: designer-created   spaces (mostly static), random generation, player-created and   procedurally-generated game spaces. Any of these approaches can be   generated by implicit or explicit description depending of the game   context. In this paper, we focus on mixing the core plateaus of   played-created and procedurally-generated approaches.</p>     <p>   A more in-depth study on procedural content generation techniques in   games, including MOBA, can be found in &#91;6&#93;. In this work,   PCG games are classified following a six-layered taxonomy: bits,   space, systems, scenarios, design and derived. Additionally, the   authors show a majority of methods employed in procedural generation   for commercial and prototype games.</p>     <p>   In order to be able to include DCG in a MOBA map, it is necessary to outline what content will be changed in order to define the bounds of algorithms. There are many variables involved, which range in complexity from the simplest to the most convoluted. Players interact with many different systems that work together to deliver the expected experience of a MOBA game. Next, we present some relevant aspect to be considered for application in our algorithm.     <p>&nbsp;</p>     <p><b><font size="3">3&nbsp;&nbsp;Our methodology</font></b></p>     <p>In this section we explain in detail our approach to the map generation and CAS system.</p>     <p>   <b>3.1&nbsp;&nbsp;The problem</b>     <p>MOBA games tend to use a predefined map or level in which players   play each match. This map is carefully designed to provide   interesting situations to players as they play, and give them tools   to make strategic decisions to win the game. Because of its careful   design, these maps cannot be changed without analysing the   consequences of these changes and as a result developers tend to not   change the features of the map.     ]]></body>
<body><![CDATA[<p>   The proposal of procedurally generating a map so that it is   different each time a new game starts is inherently a complex design   issue that can only be addressed by the careful implementation of an   algorithm capable of taking into account the strategic context of   each feature of the map.</p>     <p>   Focus on Character Adaptation Systems (CAS), MOBA games have an   inherent problem directly related to the amount of content they   provide to their players in the form of new playable characters.   These characters are made to be unique and provide new and   interesting ways of playing the game, but as the pool of characters   rises, the developers incur in frequent balancing problems. These   balancing problems mean that, for instance, a new character   overshadows an existing one, making it less desirable to be played   and forcing the developers to rethink the already existing character   in a way that will make it more appealing for players to play with   them. This problem is directly proportional to the amount of   characters the game has, and there is no real solution to it.</p>     <p>      <b>3.2&nbsp;&nbsp;Solution</b>     <p>Since there are so many different systems that could be created        procedurally, we arbitrarily chose two that tamper with the very        design of the game. The first one would be the map, where the        players play the actual game, and the second one would be the        characters that players use through a match. </p>     <p>   <b>3.3&nbsp;&nbsp;Map generation</b>          <p>For map generation, we based our work using the maps provided in the        DotA 2&reg;<sup><a href="#5">5</a><a name="b5"></a></sup>,        because maps are perfectly aligned with any standard MOBA game.        Also, these maps offer all the mechanisms required to be used in        order to achieve a well-balanced map that lets both teams of players        stand equally with respect to their chances of winning. Then, we        created an algorithm which delivers a very similar experience to        playing maps in DotA. Then, characters (players) are present, as        well as some dynamic characters called creatures, equally        distributed to each team.     <p>   Before the explanation, it is imperative to know how the original   map is composed in order to alter different features without   damaging its original purpose. This aspect is extremely important   when dealing with this kind of game where players compete and must   have equal chances of winning a match.</p>     <p>   The map will be broken into the five different features that compose it: the River, Bases, Lanes, Jungles and the Design of the map. The following explains in detail each of them.</p>     <p>     <p><b>The river: </b>The most outstanding element of the map is the river that traverses it, effectively dividing the map in two halves as shown in the <a href="#f2">Figure 2</a>a. Each half of the map is considered to be one zone of each team. The strategic value of the river is huge because it is the quickest route to traverse the map. Also, as players transit this river frequently, it is a common place for skirmishes between enemy players.</p>     ]]></body>
<body><![CDATA[<p align="center"> <a name="f2"></a><img src="/img/revistas/ince/v11n22/v11n22a5f2.jpg"></p>     <p><b>Bases: </b>Players start each match on their corresponding Base. This is the safest place a player can have throughout the match, and it is where players frequently go back to heal and obtain new items that will strengthen their character's abilities. The 2 bases in the map are placed as far as possible from each other (opposite extremes), since the ultimate objective of the game is to invade the enemy base, and destroy their main building.</p>     <p><b>Lanes:</b> The map offers 3 lanes that form roads between each base (see <a href="#f2">Figure 2</a>b). These lanes are guarded by special buildings that will attack enemy players, called Turrets. These Turrets must be destroyed in order to advance through the lane and eventually gain access to the enemy base. Players will spend the first minutes of the game trying to push forward their lanes in order to destroy enemy Turrets. However, creatures that belong to each team are constantly moving through the lanes with the objective of reaching the enemy base while attacking anything in between. Lanes play a major role in strengthening abilities of characters and this is why players spend most of their time in or near a lane.</p>     <p><b>Jungles:</b> Jungles are placed between each lane and river, forming a total of four across the map, as <a href="#f2">Figure 2</a>c shows. Each pair of jungles is on one side of the river. Jungles offer quick ways to travel between lanes and from a lane to the river in the form of intricate roads (i.e. ways for enemy players to invade the other zone). These are important for the overall pacing of the game since they allow players to move through the map without stepping on any lane, making it easier for players to move without being seen. They have a very high strategic value for players to coordinate attacks or even retreat. There are also special zones inside Jungles denominated Camps (in <a href="#f2">Figure 2</a>c, the dots inside jungles), where neutral creatures (meaning they do not belong to any team) appear after certain periods of time. These creatures can be defeated by players in order to help their characters get stronger.</p>     <p><b>Design:</b></p> In Lanes, outer Turrets (the turrets that are outside a base) have enough spacing between each other so that players can go through the Lane without being in range of any Turret. This is meant to offer a chance for a team to coordinate an attack on an unsuspecting player that is travelling through a lane. The River offers the fastest way to travel from lane to lane across the map, and because of this, players usually look for opportunities to catch enemy players that are moving through the river alone and attack them.     <p> The overall design of the map causes players that are in need of defending to have an advantage over their enemies, while players that are attacking are often in dangerous zones where they are the most vulnerable to attacks. <a href="#f3">Figure 3</a> shows inside the map, the danger zone coloured in red for the left team. This makes the game a high-risk high-reward situation, where players are forced to put themselves in danger in order to advance through a lane and eventually destroy the main building of enemy team.</p>     <p align="center"> <a name="f3"></a><img src="/img/revistas/ince/v11n22/v11n22a5f3.jpg"></p>     <p>  <b>3.3.1&nbsp;&nbsp;Algorithm</b></p>     <p>Having analysed the map of DotA it was now possible to create an algorithm that was able to generate content following the previously defined guidelines. However, in order to have a proper point of comparison to how viable the generated map is, we need to define what a viable map looks like. In this case, the DotA map was used as the reference map, since it is already proven to be a viable map because it has undergone several design iterations. </p>     <p>   Since we used DotA maps to determine the metrics, our algorithm is focused into the creation of a map, and it would only make sense to use this map as the perfect case scenario to compare all the generated maps. The closer a generated map is to the original one, the more viable it is to be used in a match.</p>     ]]></body>
<body><![CDATA[<p>   The first step is to create the River in the empty map. Thus, the algorithm uses a set of perturbed points along the diagonal of the map. Next, points are interconnected using a quadratic B&eacute;zier curve to create a set of points which represents the River. After its creation, the Bases would be placed in the corners of the opposite diagonal of the map. These Bases start off with a middle point which defines where the main building will appear, and then they are surrounded by walls in a randomly generated radius around the middle point. Note that the radius generated for both bases must be equal or very similar in order to avoid having a team with a much bigger Base than the other, which can prove advantageous/disadvantageous to the team.</p>     <p>   After that, the Lanes must be created to interconnect the Bases. Three points are chosen along the river, one near the top-left corner of the map, one around the center of it, and the other near the lower-right corner of the map. These are then connected with the respective entrances of each base, forming roads that traverse the whole map. <a href="#f4">Figure 4</a>a shows the result of applying our algorithm until now drawn over a background reference image.</p>     <p align="center"> <a name="f4"></a><img src="/img/revistas/ince/v11n22/v11n22a5f4.jpg"></p>     <p>   The last step consists of creating the Jungles. These are particularly more complex to create than the previous elements because of the amount of variables involved. A jungle must guarantee that a player can enter it at least from 3 different places. Since the Jungles are placed between the river and 2 lanes, it is necessary to ensure that these places can be accessed from at least one entrance of the Jungle. Usually, the entrance to a Jungle from within a Lane lies between Turrets and more precisely, allows players to enter the Lane from the Jungle without being targeted by an enemy Turret.</p>     <p>   Since the River is the fastest way to travel across the map, it is mandatory that no only lanes are accessible through it, but also the Jungles. Because of this, there must be an entrance to each Jungle that is directly connected to the River. To increase the dynamism of the generation of roads in Jungles, a ridged multifractal algorithm &#91;2&#93; was used to generate them. The viability of a Jungle would be evaluated by the distance needed to traverse any of its roads from each Lane to the River, and between Lanes. To evaluate this, a BFS (Breadth-First Search) algorithm was used to measure the distance of the available roads in the Jungle. <a href="#f4">Figure 4</a>b shows that the BFS was executed 3 times (following the white arrows). In the figure, roads are developed to find a path (yellow color) from different point (initial points of white arrows).</p>     <p>   After completing the creation of Jungles, the camps are added randomly wherever there is enough space, resulting in an unpredictable amount of camps in each map side. Because of this unpredictability, the sum of the camps on each side of the map is compared, and then the camp-wise viability of the whole Jungle setup is defined by how big is the difference in the amount of camps on each side of the map. The smaller the difference, the more viable the Jungle setup becomes.</p>     <p>   To this point, a map is completely created, and the viability of all its parts has already been calculated. To measure the map as a whole, we need to take these viability points on each element of the map, and put them together to get a single value that will determine how viable is the map itself. In order to do that, a Multi-Objective Evolutionary Algorithm (MOEA) &#91;21&#93; is performed, because we need to perform a comparison of not only how viable one map is, but how viable is it compared to the other maps generated with it.</p>     <p>   In the MOEA, two fitness functions were created to evaluate a map: one evaluates the length of each path in the Jungle and then averages it; the other uses the number of camps on each jungle to ensure that a team would not have an advantage in this number on each side of the map. After the new map is created completely, we move to the system for character adaptation.</p>     <p>       <b>3.4&nbsp;&nbsp;Character adaptation system (CAS)</b></p>     <p>   This system is based on the idea of how to change in real-time the character attributes of players and how this can be used to preserve the original design of a MOBA game.</p>     ]]></body>
<body><![CDATA[<p>       <b>3.4.1&nbsp;&nbsp;MOBA character design</b> The characters in MOBA games are based in the Role-Playing Game (RPG) model &#91;22&#93;. This model defines a character through a set of values that determine its strengths and weaknesses. They have a Level value that works as a direct metaphor to how the learning process works, a character is able to earn experience points through different tasks. Then, reaching a certain value of these points their character is promoted to a higher Level, effectively making it stronger, which translates to a more experienced individual.     <p>   There are also a set of attributes that usually define aspects such as: amount of Hit Points (damage a character can receive before dying), resilience to damage, magical damage, and others. These attributes define how well a character performs in certain situations. In addition to level and attributes, characters are broken up into different classes, which define what set of skills this character will be able to have. These skills are abilities that a character can make use of to aid them in combat and perform different special actions.</p>     <p>   In a MOBA game, each playable character follows the RPG character   model. Usually the types of characters can be broken down into three   different roles: Tank (able to sustain high amounts of damage   and usually focused on protecting their team-mates), Damage (focused   on dealing high amounts of damage to the enemy), and Support   (flexible characters that focus on special abilities and behaviours   that help their team). Each character is designed to bring   something unique to the game. Besides the roll they can fulfil, they   are made to be fun to play in a unique way that is not like any   other character in the game, just so that the game itself has more   variety for players to choose what they want to play. Because of   this, each design of character is carefully thought to reinforce   their gameplay style.</p>     <p>   As mentioned before, there is a problem related to the amount of playable character a MOBA game provides, and it is that the addition of a new character forces the developers to revisit older characters in order to make them more appealing for the players. As an attempt to solve this problem, or at least lessen it, the proposed Character Adaptation System will change the way characters are constructed in the game.</p>     <p>   Normally, characters are created with a unique set of skills that define their gameplay style, in this case for the CAS, when beginning the game, all characters are equal. Players then have to decide which skills will compose their character. This changes the way new content is added to the game. Instead of adding new characters, developers need to add new skills that players can choose from the skills pool at the beginning of the game. This will make the developers focus their design efforts on skills instead of complete characters, which consists of a more complex set of variable to deal with in matters of design.</p>     <p>   The CAS is expected to not solve the balancing problem, but to at least shorten the re-balancing cycle developers are forced to go through each time new content is added.</p>     <p>   <b>3.4.2&nbsp;&nbsp;Changing the RPG paradigm</b></p>     <p>In a normal RPG game, characters strength comes from the values   of its attributes, which increase each time the character gains a   level. This process is entirely discrete, where the player is not   able to experience any increase in their strength until the needed   amount of experience points has been gained and the character gains a level.</p>     <p> In our approach, the procedural modification of a character starts by moving the discrete nature of this <i>leveling-up</i> system towards a continuous behaviour. This is done to continuously reward the player for their efforts and to give an organic feel to the overall gameplay of the game. This system would be in charge of understanding how the player wants to play their character, and modifying continuously its attributes to correspond to its play style.</p>     <p>   <b>3.4.3&nbsp;&nbsp;Implementation</b></p>     ]]></body>
<body><![CDATA[<p>All characters in a MOBA game start a match with two common actions they can perform: walking and basic attack. Walking lets the character move where the player wants to go, as expected. Basic attack can happen whenever a player chooses to attack an enemy without using any of their skills.</p>     <p>   An attack inputs to the Character Adaptation System (CAS) whether   the attack successfully damaged an enemy, and how frequently is the   character using it. By doing this, the CAS algorithm can start   interpreting what is the goal of the player and increases its   attributes accordingly to encourage its play style. If the player is   trying to use the attack as frequently as possible, the CAS may   reward him with increased attack speed, reducing the time to wait   before performing the next attack.</p>     <p>   The CAS is a system that focuses entirely on gathering real-time information from a player's behaviour and actions, transforming them into attributes increased for their character. This feedback loop is presented in Figure 5, which keeps a character constantly changing towards what the player intends to play.</p>     <p align="center"> <a name="f5"></a><img src="/img/revistas/ince/v11n22/v11n22a5f5.jpg"></p>     <p>   The attributes usually bring to a character benefits such as increased amount of hit-points, which represents how much damage can the character sustain before being defeated. Then, the goal is to increase the values that directly increase the effectiveness of the character by letting it sustain more damage and/or use more abilities.</p>     <p>   The increase that an attribute will receive depends entirely on each skill involved. This is due to the fact that each skill has different scenarios for what <i>effective usage</i> means. For instance, effective usage for a fireball might be hitting the intended target, which would award a bonus of X points to the Intelligence attribute, but if it doesn't hit the intended target, then the Intelligence bonus would be <i>X</i>/3.</p>     <p> To further improve the benefits of the CAS feedback loop, abilities have a scaling factor that depends on certain attribute. For instance, an ability that lets the character throw a magic fireball (<i>i.e.</i> a power) to the enemy, delivering a certain damage to the target within a certain radius around the impact point, can have its behaviour modified by the intelligence attribute of the character. As shown in <a href="#f6">Figure 6</a>, the higher the intelligence of the character, the higher the damage and radius of explosion of the fireball.</p>     <p align="center"> <a name="f6"></a><img src="/img/revistas/ince/v11n22/v11n22a5f6.jpg"></p>     <p>Thus, any skill can be implemented to depend on certain attributes of a character. Therefore, it could be better or worse in certain scenarios depending on the focus of the player. The algorithm used by the CAS is composed by a set of systems, where each system is in itself, a skill that a character can use. These systems start working as soon as the player enters in game.</p>     <p>   During a combat in the game, a player will input different actions for the character to perform in order to achieve their goal. This is calculated as a sum of all bonuses per attribute. In this way, each attribute will be increased to sum up all bonuses associated to this attribute. The final result is the final value of an attribute, to all attributes. Also, this value represents the new value after the combat phase ends and will increase immediately the abilities of the character and its effectiveness in combat.</p> At the beginning of a game using CAS, each character starts the game with identical attributes. Players have to choose which set of skills they want their character to have, and throughout the game they will develop these abilities to adapt to their game-style to ultimately help them in achieving victory against the opposing team.      ]]></body>
<body><![CDATA[<p>   During a match, players will try to use strategies to attack their enemies in order to have an advantage. In this way, it is possible to deduce that the match is auto-balanced since players constantly react and counter-attack their enemies actions. This auto-balance addresses a concurrent problem in MOBA games where characters are often changed and calibrated because they are too powerful or weak.</p>     <p>     <p>&nbsp;</p>     <p><b><font size="3">4&nbsp;&nbsp;Results and discussion</font></b></p>     <p>The Map Generation System and the Character Adaptation System were implemented together in a prototype of a MOBA game made specifically for this project. In this prototype, up to 4 players could join a game and play together on-line, which is the method used to perform some of the tests described next.</p>     <p>   <b>4.1&nbsp;&nbsp;Testing the map generatio</b></p>     <p> The algorithm used to generate the map was executed 20 times, and each of these results was compared in order to determine the average viability of the generated maps. <a href="#f7">Figure 7</a> shows the visual result of the maps constructed.</p>     <p align="center"> <a name="f7"></a><img src="/img/revistas/ince/v11n22/v11n22a5f7.jpg"></p>     <p>   The obtained results reflect the variable nature of the genetic   algorithm used to generate each map. Because of the inherent   behaviour of this kind of algorithms, it is not possible to   determine if the result will be viable prior to executing the   algorithm. Therefore, in cases where the generated map was not a viable map, it was nevertheless chosen to be used in the game.</p>     <p>   In samples 2, 7, 8, 9, 11, 12, 17 and 20 of <a href="#f7">Figure 7,</a> there are irregularities that could hinder the gameplay in   certain zones of the map because some of the jungles were not formed   properly. As for samples 3, 10 and 16 the amount of camps and badly   formed jungle roads account for a disrupted gameplay that is sure to   provide a major advantage to one of the teams. This experiment was   repeated 5 times in order to obtain an average, obtaining similar results.</p>     ]]></body>
<body><![CDATA[<p> It is important to note that the viability of a map lies on its similarity to the original DotA 2 map, which was taken as the best case scenario. The ideal tests would be letting a group of players play each map for a certain time and determine from the outcome of each game what maps turned out to be more viable, but these tests were far beyond the scope of the project since the testing environment consisted of a prototype MOBA that was not suited for long periods of testing. Therefore, geographical metrics had to be used to determine the viability of the generated maps.</p>     <p>   <b>4.2&nbsp;&nbsp;Testing the CAS</b></p>     <p>   To determine if the basic expected behaviour of the CAS was working, a test was performed where a group of 4 players played a match of the prototype game on-line. The time window for this test was nearly 10 minutes, and the values analysed were related to a single player throughout the entire match.</p>     <p>   Information such as time spent in the different movement states of a   character, such as: Idle, Moving, Dead, In-Combat and   In-Combat-with-other-players; was gathered to determine in which the   player spent the time (see <a href="#f8">Figure 8</a>). In this case,   the time in combat was nearly as much as the time spent, and it is   important to also take into account that because of the map size,   players are bound to spend long periods of time traversing it   without encountering enemies.</p>     <p align="center"> <a name="f8"></a><img src="/img/revistas/ince/v11n22/v11n22a5f8.jpg"></p>     <p>   Also, each time an action not related to movement was performed it   was counted to determine the relation between the usages of a   character skills and the improvements provided by the CAS, resulting   in the curve shown in <a href="#f9">Figure 9</a> that there was a   little amount of attributes gains over the testing period. This   curve reflects all the periods of time a player got in and out of   combat, during this time the amount of skills used is not important   as it will all account for only one attribute bonus gain that will sum up all the results of the battle.</p>     <p align="center"> <a name="f9"></a><img src="/img/revistas/ince/v11n22/v11n22a5f9.jpg"></p>     <p align="center"> <a name="f10"></a><img src="/img/revistas/ince/v11n22/v11n22a5f10.jpg"></p>     <p>   Lastly, information on the specific attribute gains was gathered to   determine that each of the corresponding attributes of a character   that was related to the skills provided, was increased accordingly   to their usages. This was to be expected since this is part of the   CAS cycle to enhance an ability by making use of it, and increasing   accordingly the attribute it depends on, as shown in <a href="#f10">Figure     10</a>. This feature reinforces the problem of   this system which consists of implementing skills that have a very   complex underlying design to provide the variety and flexibility the   system was conceived to have. If all the skills implemented with   this system only work based on a single attribute, the CAS would not   be able to provide effectively a player with tools to develop their character to play any way they want.</p>     <p>   Note that for this particular project it is not possible to confirm that the CAS indeed solves the balancing issue, since this problem only appears when the game is played by an already established community of players. Since this was a prototype, we can only base the results on the theory behind the system created to address the balancing issue. Although the results cannot support this, theoretically, the CAS does not actually solve the balancing issue mentioned, but instead moves its focal point to the addition of new abilities to the game, instead of new characters, turning the original balancing problem into a different one.</p>     ]]></body>
<body><![CDATA[<p>   The new question that arises from this is: How much could the CAS actually alleviate the balancing problem of a MOBA game if it changes the set of contents it is related to?. If applying re-balancing to an existing character is indeed harder than doing this re-balancing to a single skill, then the CAS would be an alternative to diminishing the balancing problem of MOBA games.</p> </font>     <p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"> The overall results show that both the map generator and the CAS worked as expected. With regards to how attributes of character are modified throughout the game to match the gameplay style of a player. However, the objective of the CAS  was to provide a more flexible structure to add content to the game and possibly avoid having to rebalance existing content, which besides dynamic attributes also includes letting the player construct their character with a set of skills that they can pick from a skills pool defined by the developers. Whether the CAS solves or lessens the balancing problems can't be answered from the data gathered in the small environment the tests were performed. To be able to confirm practically how the CAS affects the balancing issues, it would have to be implemented in a commercial MOBA game with an already defined community of players.</font></p>     <p>&nbsp;</p> <font size="2" face="Verdana, Arial, Helvetica, sans-serif">    <p><b><font size="3"> 5&nbsp;&nbsp;Conclusions</font></b></p>       <p>In order to bring variability to the content provided by developers in a MOBA game, the two systems mentioned previously were implemented to be able to generate a map from scratch in which players could play the game. Also, to be able to adapt in real time the attributes of the character played by a player to correspond its strengths with the play-style of the player. These systems still have a long way to go in matters of optimization and design, but they prove that it is indeed possible to introduce DCG to an inherently static game such as a MOBA and still preserve its core design and gameplay.  </p>    <p> Future improvements for the map generation system could include features such as a variable number of lanes, including the possibility of producing a map that has no lanes at all and that, besides the bases, it would consist entirely of jungles. Moreover, optimizations could be implemented in order to be able to perform more iterations of the MOEA algorithm to have better chances of generating a viable map.  </p></font>    <p><font size="2" face="Verdana, Arial, Helvetica, sans-serif"> Also, the character adaptation system presents a design challenge in itself. It was created in order to eliminate the constant rebalancing developers have to constantly do when introducing new content to the game, but this problem is not entirely eliminated by this systems but instead it is forwarded exclusively towards the pool of skills players have access to. Besides the problem related to balancing the skills, the level indicator is eliminated due to the pseudo-continuous nature of the progress of a character throughout a game. In order to address this issue, an implementation consisting of representing each skill a character possesses as a piece of equipment that stands out easily. This piece would represent a specific skill this character has and also, its visual features would indicate how strong this skill is for this specific character. The reason behind this system lies in the fact that by eliminating the character level, the explicit strength indicator is lost and therefore there must be another way to let a player know instantly how strong an enemy is.</font></p>     <p>&nbsp;</p> <font size="2" face="Verdana, Arial, Helvetica, sans-serif">    <p><b><font size="3">Acknowledgements</font></b></p>     <p>The authors would like to thank the reviewers for their comments that help improve the manuscript. Also, authors gratefully acknowledge use of the services and facilities of the Computer Graphics Center at the Central University of Venezuela, as part of its research fields.</p>     ]]></body>
<body><![CDATA[<p>&nbsp;</p> <hr />     <p><b><font size="3">Footnotes</font></b>:</p>     <p> <sup><a name="1"></a><a href="#b1">1</a></sup> <a href="http://science-fiction.fch.ir/rogue/doc/Rogue_1984-The_DOS_Game-The_History-The_Science.html" target="_blank">http://science-fiction.fch.ir/rogue/doc/Rogue_1984-The_DOS_Game-The_History-The_Science.html</a> </p>     <p> <sup><a name="2"></a><a href="#b2">2</a></sup> <a href="http://blizzard.com" target="_blank">http://blizzard.com</a> </p>     <p> <sup><a name="b3"></a><a href="#b3">3</a></sup> <a href="http://spelunkyworld.com/" target="_blank">http://spelunkyworld.com/</a> </p>     <p><a name="4"></a><a href="#f1">4</a> <a href="https://minecraft.net/" target="_blank">https://minecraft.net/</a></p>     <p> <sup><a name="5"></a><a href="#b5">5 </a></sup><a href="http://dota2.com/" target="_blank">http://dota2.com/</a>       <hr />     <p>     <!-- ref --><p><b><font size="3">References</font></b>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&#160;<a href="javascript:void(0);" onclick="javascript: window.open('/scielo.php?script=sci_nlinks&ref=000141&pid=S1794-9165201500020000500001&lng=','','width=640,height=500,resizable=yes,scrollbars=1,menubar=yes,');">Links</a>&#160;]<!-- end-ref --> &#91;Online&#93;. Available:   <a href="http://adsabs.harvard.edu/abs/1983whf..book.....M" target="_blank">http://adsabs.harvard.edu/abs/1983whf..book.....M</a> </p>     ]]></body>
<body><![CDATA[<!-- ref --><p> &#91;2&#93; D.&nbsp;Ebert, F.&nbsp;Musgrave, D.&nbsp;Peachey, K.&nbsp;Perlin, and S.&nbsp;Worley, <i>Texturing   and Modeling: A Procedural Approach</i>, 3rd&nbsp;ed. Morgan Kaufmann, 2002.    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&#160;<a href="javascript:void(0);" onclick="javascript: window.open('/scielo.php?script=sci_nlinks&ref=000143&pid=S1794-9165201500020000500002&lng=','','width=640,height=500,resizable=yes,scrollbars=1,menubar=yes,');">Links</a>&#160;]<!-- end-ref -->  </p>    <!-- ref --><p> &#91;3&#93;  Y.&nbsp;Parish and P.&nbsp;M&#252;ller, "Procedural Modeling of Cities," in   <i>Proceedings of the 28th Annual Conference on Computer Graphics and   Interactive Techniques</i>, ser. SIGGRAPH '01. ACM, 2001, pp. 301-308.    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&#160;<a href="javascript:void(0);" onclick="javascript: window.open('/scielo.php?script=sci_nlinks&ref=000145&pid=S1794-9165201500020000500003&lng=','','width=640,height=500,resizable=yes,scrollbars=1,menubar=yes,');">Links</a>&#160;]<!-- end-ref --> &#91;Online&#93;. Available:   <a href="http://dx.doi.org/10.1145/383259.383292" target="_blank">http://dx.doi.org/10.1145/383259.383292</a></p>     <!-- ref --><p> &#91;4&#93;  J.&nbsp;Kenwood, J.&nbsp;Gain, and P.&nbsp;Marais, "Efficient Procedural Generation of   Forests," <i>Journal of WSCG</i>, vol.&nbsp;22, no.&nbsp;1, pp. 31-38, 2014.    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&#160;<a href="javascript:void(0);" onclick="javascript: window.open('/scielo.php?script=sci_nlinks&ref=000147&pid=S1794-9165201500020000500004&lng=','','width=640,height=500,resizable=yes,scrollbars=1,menubar=yes,');">Links</a>&#160;]<!-- end-ref --> &#91;Online&#93;. Available: <a href="https://otik.uk.zcu.cz/handle/11025/11896" target="_blank">https://otik.uk.zcu.cz/handle/11025/11896</a></p>     <!-- ref --><p> &#91;5&#93; R.&nbsp;Geiss, "Generating Complex Procedural Terrains Using the GPU," <i>GPU   Gems 3</i>, vol.&nbsp;1, pp. 7-37, 2007.    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&#160;<a href="javascript:void(0);" onclick="javascript: window.open('/scielo.php?script=sci_nlinks&ref=000149&pid=S1794-9165201500020000500005&lng=','','width=640,height=500,resizable=yes,scrollbars=1,menubar=yes,');">Links</a>&#160;]<!-- end-ref -->  </p>    <!-- ref --><p> &#91;6&#93;  M.&nbsp;Hendrikx, S.&nbsp;Meijer, J.&nbsp;Van Der Velden, and A.&nbsp;Iosup, "Procedural   Content Generation for Games: A Survey," <i>ACM Transactions on   Multimedia Computing, Communications, and Applications</i>, vol.&nbsp;9, no.&nbsp;1, pp.   1:1--1:22, 2013.    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&#160;<a href="javascript:void(0);" onclick="javascript: window.open('/scielo.php?script=sci_nlinks&ref=000151&pid=S1794-9165201500020000500006&lng=','','width=640,height=500,resizable=yes,scrollbars=1,menubar=yes,');">Links</a>&#160;]<!-- end-ref --> &#91;Online&#93;. Available:   <a href="http://dx.doi.org/10.1145/2422956.2422957" target="_blank">http://dx.doi.org/10.1145/2422956.2422957</a></p>     ]]></body>
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