<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1900-5407</journal-id>
<journal-title><![CDATA[Antipoda. Revista de Antropología y Arqueología]]></journal-title>
<abbrev-journal-title><![CDATA[Antipod. Rev. Antropol. Arqueol.]]></abbrev-journal-title>
<issn>1900-5407</issn>
<publisher>
<publisher-name><![CDATA[Departamento de Antropología, Facultad de Ciencias Sociales, Universidad de los Andes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1900-54072025000200175</article-id>
<article-id pub-id-type="doi">10.7440/antipoda59.2025.08</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[La promesa multimodal: hacia una política del encuentro etnográfico]]></article-title>
<article-title xml:lang="en"><![CDATA[The Multimodal Promise: Toward a Politics of Ethnographic Encounter]]></article-title>
<article-title xml:lang="pt"><![CDATA[A promessa multimodal: rumo a uma política de encontro etnográfico]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Marrero-Guillamón]]></surname>
<given-names><![CDATA[Isaac]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universitat de Barcelona  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<numero>59</numero>
<fpage>175</fpage>
<lpage>198</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S1900-54072025000200175&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S1900-54072025000200175&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S1900-54072025000200175&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen. el debate en torno a la antropología multimodal ha abierto un importante espacio disciplinar de reflexión, intercambio y experimentación. En estas discusiones, la pluralización de los modos de hacer trabajo de campo etnográfico, así como de las estrategias para hacer públicos sus resultados (exposiciones, piezas audiovisuales, obras de teatro, juegos de mesa, interfaces digitales, dibujos, novelas gráficas, radionovelas o videoclips), aparece vinculada a la búsqueda de una antropología más colaborativa, pública y comprometida. El objetivo de este artículo es contribuir a la teorización de la antropología multimodal, poniendo el foco en los efectos de la ampliación de los modos de encuentro y relación que sustentan la práctica etnográfica. Para ello, inspirado en el trabajo de Sara Ahmed (2019) y Marina Garcés (2023), propongo en primer lugar la noción de &#8220;promesa multimodal&#8221;, entendida como una aspiración de futuro que articula un compromiso en el presente. A continuación, discuto dos proyectos multimodales (Bordando cuerpos que escuchan y Cocinar Madrid - Poéticas del gusto) que, a través del bordado y la cocina, articularon una política del encuentro etnográfico basada en la escucha, el cuidado y el hospedaje. En ambos casos, una aproximación encarnada y feminista a la investigación facilitó procesos de coaprendizaje que desbordan las formas de conocimiento habitualmente más reconocidas y valoradas en antropología, y que nos invitan a repensar los criterios de apreciación de la investigación. La conclusión sitúa la versión de la multimodalidad, defendida a lo largo del artículo, en relación con debates en torno a la ética y la política de la investigación, y discusiones recientes en antropología colaborativa, multimedia y multisensorial.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract. The ongoing debate on multimodal anthropology has created a vital disciplinary space for reflection, exchange, and experimentation. Within these discussions, the diversification of ethnographic fieldwork methods-alongside innovative ways of presenting research findings, such as exhibitions, audiovisual pieces, theater performances, board games, digital interfaces, drawings, graphic novels, radio dramas, and video clips-has been closely tied to the pursuit of a more collaborative, public, and engaged anthropology. This article contributes to the theorization of multimodal anthropology by focusing on the effects of expanding the modes of encounter and relation that sustain ethnographic practice. Drawing inspiration from the work of Sara Ahmed (2019) and Marina Garcés (2023), I introduce the concept of the &#8220;multimodal promise,&#8221; understood as an aspiration for the future that is anchored in a present commitment. I then analyze two multimodal projects, Bordando cuerpos que escuchan and Cocinar Madrid - Poéticas del Gusto, which, through embroidery and cooking, developed a politics of ethnographic encounter centered on listening, care, and hospitality. In both cases, an embodied and feminist research approach fostered co-learning processes that challenge the dominant forms of knowledge production in anthropology, urging us to rethink the frameworks through which research is valued. The article concludes by positioning the version of multimodality advocated throughout the discussion within broader debates on the ethics and politics of research, as well as recent conversations in collaborative, multimedia, and multisensory anthropology.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo. o debate em torno da antropologia multimodal abriu um importante espaço disciplinar para a reflexão, para o intercâmbio e para a experimentação. Nessas discussões, a pluralização das formas de fazer trabalho de campo etnográfico, bem como das estratégias para tornar públicos seus resultados (exposições, produções audiovisuais, peças teatrais, jogos de tabuleiro, interfaces digitais, desenhos, romances gráficos, dramas de rádio ou videoclipes), parece estar atrelada à busca de uma antropologia mais colaborativa, pública e engajada. O objetivo deste artigo é contribuir para a teorização da antropologia multimodal, com foco nos efeitos da ampliação dos modos de encontro e na relação que sustentam a prática etnográfica. Para isso, inspirado no trabalho de Sara Ahmed (2019) e Marina Garcés (2023), proponho, em primeiro lugar, a noção de &#8220;promessa multimodal&#8221;, entendida como uma aspiração para o futuro que articula um compromisso com o presente. Em seguida, discuto dois projetos multimodais (Bordando cuerpos que escuchan e Cocinar Madrid - Poéticas del gusto) que, por meio do bordado e da culinária, articularam uma política de encontro etnográfico baseada na escuta, no cuidado e no acolhimento. Em ambos os casos, uma abordagem incorporada e feminista da pesquisa facilitou processos de coaprendizagem que vão além das formas de conhecimento normalmente reconhecidas e valorizadas na antropologia e que nos convidam a repensar os critérios de avaliação da pesquisa. A conclusão situa a concepção da multimodalidade, defendida ao longo do artigo, em relação aos debates sobre a ética e sobre a política da pesquisa, bem como às discussões recentes sobre antropologia colaborativa, multimídia e multissensorial.]]></p></abstract>
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</front><back>
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