<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2011-804X</journal-id>
<journal-title><![CDATA[Pensamiento palabra y obra]]></journal-title>
<abbrev-journal-title><![CDATA[Pensam. palabra obra]]></abbrev-journal-title>
<issn>2011-804X</issn>
<publisher>
<publisher-name><![CDATA[Facultad de Bellas Artes Universidad Pedagógica Nacional]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2011-804X2019000100124</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Imagen aérea como representación pictórica de la fotointerpretación topográfica de la provincia de Bíobío]]></article-title>
<article-title xml:lang="en"><![CDATA[Aerial Image as a Pictorial Representation of the Topographic Photointerpretation of the Province of Bíobío]]></article-title>
<article-title xml:lang="pt"><![CDATA[Imagem aérea como representação pictórica da fotointerpretação topográfica da província de Bío-bío]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Cárdenas-Pérez]]></surname>
<given-names><![CDATA[Ramón Esteban]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Godoy-Uribe]]></surname>
<given-names><![CDATA[Gustavo Modesto]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Figueroa-Gutiérrez]]></surname>
<given-names><![CDATA[Eugenio Enrique]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Concepción  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad de Concepción  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidad de Concepción  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2019</year>
</pub-date>
<numero>21</numero>
<fpage>124</fpage>
<lpage>141</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S2011-804X2019000100124&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S2011-804X2019000100124&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S2011-804X2019000100124&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Las manifestaciones contemporáneas de las Artes Visuales postulan un amplio lenguaje de comunicación entre el creador, el proceso, la obra creada y el espectador. Estas definen la comprensión de la realidad sobre la base de estereotipos estéticos, simbólicos e ideológicos acerca de los mecanismos que modelan la construcción de creencias relacionadas con el discurso de las performances e instalaciones, las nuevas tecnologías, el hacktivismo, el arte digital y el Net Art, entre otras manifestaciones. En este sentido, la Geomática posee directa relación con el arte contemporáneo porque en sus áreas de conocimiento específico como la fotogrametría, la topografía y los sistemas de información geográfica utiliza, en la actualidad, las imágenes obtenidas por dispositivos digitales como soporte para la investigación. De manera interdisciplinaria, estos permiten el desarrollo de diferentes mecanismos de representación visual, cognitivos y emocionales que condicionan nuestra manera de conocer, percibir y experimentar la realidad. En el presente artículo se exponen algunos lineamientos de reflexión teórica que fundamentan el proyecto RV30. Así, este estudio adopta el modelo de investigación en creación artística que orientan el desarrollo disciplinar del artista como investigador y la fusión de un nuevo formato relacionado con el arte y la tecnología. Los resultados de nuestro proceso creativo permiten acercar al público al conocimiento y utilización de esta última. El proyecto abarca la fotografía aérea digital dentro de los parámetros de la fotogrametría desde una perspectiva bidimensional relacionada con la creación y exhibición pública de 12 pinturas sobre un repertorio iconográfico de la topografía de la provincia del Biobío.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The contemporary manifestations of Visual Arts suggest a broad language of communication between the creator, the process, the created work, and the spectator. They define the understanding of reality on the basis of aesthetic, symbolic and ideological stereotypes about the mechanisms that model the construction of beliefs related to the discourse of performances and installations, new technologies, hacktivism, digital art and Net Art, among other artistic manifestations. In this sense, Geomatics is directly related to contemporary art because, in its areas of specific knowledge, such as photogrammetry, topography and geographic information systems, they currently use images obtained by digital devices as support for research. In an interdisciplinary way, these devices allow the development of different mechanisms of visual, cognitive and emotional representation that condition our way of knowing, perceiving and experiencing reality. In this article, some guidelines of theoretical reflection are exposed as support of the RV30 project. Thus, this study adopts the model of research in artistic creation that guides the artist's disciplinary development as a researcher and the fusion of a new format related to art and technology. Thus, the results of our creative process allow us to bring the public closer to knowing and using it. The project covers digital aerial photography within the parameters of photogrammetry from a two-dimensional perspective related to the creation and public exhibition of 12 paintings on an iconographic repertoire of the topography of the province of Biobío.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo As manifestações contemporâneas das Artes Visuais colocam uma ampla linguagem de comunicação entre o criador, o processo, a obra criada e o espectador. Estas definem a compreensão da realidade sobre a base de estereótipos estéticos, simbólicos e ideológicos acerca dos mecanismos que modelam a construção de crenças relacionadas com o discurso das performances e instalações, as novas tecnologias, o hacktivismo, a arte digital e a New Art, entre outras manifestações artísticas. Neste sentido, a Geomântica possui direta relação com a arte contemporânea porque em suas áreas do conhecimento específico, como a fotogrametria, a topografia e os sistemas de informação geográfica, utiliza na atualidade as imagens obtidas por dispositivos digitais como suporte para a pesquisa. De forma interdisciplinar, esses dispositivos permitem o desenvolvimento de diversos mecanismos de representação visual, cognitivos e emocionais, que condicionam nossa forma de conhecer, perceber e exprimir a realidade. No presente artigo expomos algumas linhas de reflexão teórica que fundamentam o projeto RV30. Assim, este estudo adota o modelo de pesquisa em criação artística que norteia o desenvolvimento disciplinar do artista como pesquisador e a fusão de um novo formato relacionado com a arte e a tecnologia. Os resultados de nosso processo criativo permitem aproximar o público ao conhecimento e à utilização de este. O projeto abrange a fotografia aérea bidimensional relacionada com a criação e exibição pública de 12 pinturas sobre um repertório iconográfico da topografia da província do Biobio.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Imagen aérea digital]]></kwd>
<kwd lng="es"><![CDATA[fotointerpretación]]></kwd>
<kwd lng="es"><![CDATA[drone]]></kwd>
<kwd lng="es"><![CDATA[creación pictórica]]></kwd>
<kwd lng="es"><![CDATA[proyecto RV30]]></kwd>
<kwd lng="en"><![CDATA[digital aerial image]]></kwd>
<kwd lng="en"><![CDATA[photointerpretation]]></kwd>
<kwd lng="en"><![CDATA[drone]]></kwd>
<kwd lng="en"><![CDATA[pictorial creation]]></kwd>
<kwd lng="en"><![CDATA[RV30 project]]></kwd>
<kwd lng="pt"><![CDATA[imagem aérea digital]]></kwd>
<kwd lng="pt"><![CDATA[fotointerpretação]]></kwd>
<kwd lng="pt"><![CDATA[drone]]></kwd>
<kwd lng="pt"><![CDATA[criação pictórica]]></kwd>
<kwd lng="pt"><![CDATA[projeto RV30]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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