<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2011-804X</journal-id>
<journal-title><![CDATA[Pensamiento palabra y obra]]></journal-title>
<abbrev-journal-title><![CDATA[Pensam. palabra obra]]></abbrev-journal-title>
<issn>2011-804X</issn>
<publisher>
<publisher-name><![CDATA[Facultad de Bellas Artes Universidad Pedagógica Nacional]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2011-804X2022000100104</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[En el baño de Óscar Muñoz: la experiencia de extrañamiento entre espejos, lavamanos y cortinas de baño]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pineda]]></surname>
<given-names><![CDATA[Adryan Fabrizio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Abierta y a Distancia programa de Artes Visuales ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<numero>27</numero>
<fpage>104</fpage>
<lpage>127</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S2011-804X2022000100104&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S2011-804X2022000100104&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S2011-804X2022000100104&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN Este artículo presenta una reflexión en torno al extrañamiento artístico del objeto de uso común a la luz de cuatro obras del artista colombiano Óscar Muñoz. El interés yace en la alteración de la significación del objeto de uso común y su automática experiencia en la obra de arte y, en consecuencia, la generación de un sentido extrañante sobre la obra, la experiencia y la vida misma. De ahí que, a partir de lo planteado sobre el extrañamiento por Víctor Shklovski y Bertolt Brecht, se proponen tres niveles de extrañamiento que pueden elucidar el lugar del objeto de uso en la poética de las obras de arte, en las características de su experiencia y en su relación con su contexto cultural.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper presents a reflection on the artistic estrangement of the common use object in the light of four artworks by the Colombian artist Oscar Muñoz. The interest lies in the meaning alteration of the common use object and its automatic experience in the artwork. Consequently, it lies in the generation of an estrangement sense on the work, the experience, and life itself. Hence, based on what Victor Shklovski and Bertolt Brecht proposed about estrange ment, three levels of estrangement are suggested that can elucidate the place of the object of use in the poetics of works of art, in the characteristics of its expe rience, and its relationship with its cultural context.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo apresenta uma reflexão sobre o estranhamento artístico do objeto de uso à luz de quatro obras do artista colombiano Oscar Muñoz. Em parti cular, o interesse está na alteração do significado do objeto de uso e sua expe riência automática na obra de arte e, consequentemente, na geração de um sentido estranho sobre a obra, a experiência e a própria vida. Assim, a partir do que Víctor Shklovski e Bertolt Brecht levantaram sobre o estranhamento, são propostos três níveis de estranhamento que podem elucidar o lugar do objeto de uso na poética das obras de arte, nas características de sua experiência e em sua relação com a sua. Contexto cultural.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Óscar Muñoz]]></kwd>
<kwd lng="es"><![CDATA[extrañamiento]]></kwd>
<kwd lng="es"><![CDATA[objeto artístico]]></kwd>
<kwd lng="es"><![CDATA[arte contempo ráneo]]></kwd>
<kwd lng="es"><![CDATA[arte en Colombia]]></kwd>
<kwd lng="en"><![CDATA[Oscar Muñoz]]></kwd>
<kwd lng="en"><![CDATA[estrangement]]></kwd>
<kwd lng="en"><![CDATA[art objects]]></kwd>
<kwd lng="en"><![CDATA[contemporary art]]></kwd>
<kwd lng="en"><![CDATA[art in Colombia]]></kwd>
<kwd lng="pt"><![CDATA[Oscar Muñoz]]></kwd>
<kwd lng="pt"><![CDATA[estranhamento]]></kwd>
<kwd lng="pt"><![CDATA[objeto artístico]]></kwd>
<kwd lng="pt"><![CDATA[arte contem porânea]]></kwd>
<kwd lng="pt"><![CDATA[arte na Colômbia]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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