<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2011-804X</journal-id>
<journal-title><![CDATA[Pensamiento palabra y obra]]></journal-title>
<abbrev-journal-title><![CDATA[Pensam. palabra obra]]></abbrev-journal-title>
<issn>2011-804X</issn>
<publisher>
<publisher-name><![CDATA[Facultad de Bellas Artes Universidad Pedagógica Nacional]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2011-804X2024000100105</article-id>
<article-id pub-id-type="doi">10.17227/ppo.num31-20152</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Caracterización del video de análisis musical EN ESPAÑOL en youtube Enfoques desde la etnografía digital y el análisis musical multimedia]]></article-title>
<article-title xml:lang="en"><![CDATA[Characterization of the Musical Analysis Video in Spanish on YouTube: Approaches from Digital Ethnography and Multimedia Musical Analysis]]></article-title>
<article-title xml:lang="pt"><![CDATA[Caracterização do vídeo de análise musical em espanhol no YouTube: Abordagens a partir da etnografia digital e da análise musical multimídia]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Marín-Ramírez]]></surname>
<given-names><![CDATA[María Cristina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Nacional Autónoma de México  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Mexico</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2024</year>
</pub-date>
<numero>31</numero>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S2011-804X2024000100105&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S2011-804X2024000100105&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S2011-804X2024000100105&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo evidencia el proceso de construcción de la categoría &#8220;video de análisis musical&#8221;, identificando YouTube como un espacio para cartografiar este fenómeno y construir una tipología, a partir de la etnografía digital y del análisis musical multimedia. La desagregación de los diversos elementos constitutivos de un caso paradigmático da, como resultado, una modelización desde la observación empírica, en la que se puede evidenciar la incorporación de elementos de la cultura pop y la creación, adopción y empleo de símbolos ampliamente compartidos por las audiencias.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper shows the construction process of the category &#8220;musical analysis video,&#8221; identifying YouTube as a space to map this phenomenon and build a typology, based on digital ethnography and multimedia musical analysis. The breakdown of the various constitutive elements of a paradigmatic case results in a model derived fromempirical observation, where the incorporation of pop culture elements, and the creation, adoption, and use of symbols widely shared by the audiences can be evidenced.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo evidencia o processo de construção da categoria &#8220;vídeo de análise musical&#8221;, identificando o YouTube como espaço para mapear esse fenômeno e construir uma tipologia, com base na etnografia digital e na análise musical multimídia. A desagregação dos vários elementos constitutivos de um caso paradigmático resulta em ma modelagem a partir da observação empírica, onde se pode evidenciar a incorporação de elementos da cultura pop e a criação, adoção e emprego de símbolos amplamente compartilhados pelas audiências.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[video de análisis musical]]></kwd>
<kwd lng="es"><![CDATA[musicología en YouTube]]></kwd>
<kwd lng="es"><![CDATA[etnografía digital]]></kwd>
<kwd lng="es"><![CDATA[análisis musical multimedia]]></kwd>
<kwd lng="en"><![CDATA[music analysis video]]></kwd>
<kwd lng="en"><![CDATA[musicology on YouTube]]></kwd>
<kwd lng="en"><![CDATA[digital ethnography]]></kwd>
<kwd lng="en"><![CDATA[multimedia musical analysis]]></kwd>
<kwd lng="pt"><![CDATA[vídeo de análise musical]]></kwd>
<kwd lng="pt"><![CDATA[musicologia no YouTube]]></kwd>
<kwd lng="pt"><![CDATA[etnografia digital]]></kwd>
<kwd lng="pt"><![CDATA[análise musical multimídia]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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<source><![CDATA[Canales de YouTube con más suscripciones]]></source>
<year></year>
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</back>
</article>
