<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0120-0062</journal-id>
<journal-title><![CDATA[Ideas y Valores]]></journal-title>
<abbrev-journal-title><![CDATA[Ideas y Valores]]></abbrev-journal-title>
<issn>0120-0062</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional de Colombia, Facultad de Ciencias Humanas, Departamento de Filosofía.]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0120-00622009000200006</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Conceptual Content and Unattended Visual Features]]></article-title>
<article-title xml:lang="es"><![CDATA[Contenido conceptual y elementos visuales desatendidos]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[PEREIRA]]></surname>
<given-names><![CDATA[FRANCISCO]]></given-names>
</name>
<xref ref-type="aff" rid="A01"/>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,Universidad Alberto Hurtado  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>01</day>
<month>09</month>
<year>2009</year>
</pub-date>
<pub-date pub-type="epub">
<day>01</day>
<month>09</month>
<year>2009</year>
</pub-date>
<volume>58</volume>
<numero>140</numero>
<fpage>119</fpage>
<lpage>141</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0120-00622009000200006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0120-00622009000200006&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0120-00622009000200006&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[McDowell (1994) proposed a philosophical theory about perceptual content -call it "conceptualism"- that states that in every case the content of a visual experience necessarily involves concepts that fully specify every single feature consciously and simultaneously available during the experience. In this paper I will question conceptualism, arguing that some visual experiences carry information about so many objects, properties and relations at the same time that it is unlikely for subjects to possess and implement concepts for every feature represented simultaneously by the experience at that time. If this is the case, then McDowell&#39;s conceptualism is insufficiently grounded.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[McDowell (1994) propuso una teoría filosófica sobre el contenido perceptual -"conceptualismo"-, que establece que, en todos los casos, el contenido de una experiencial visual necesariamente contiene conceptos que especifican a cabalidad cada uno de los elementos disponibles a nivel consciente y de manera simultánea durante una experiencia. En este artículo cuestionaré la tesis conceptualista, argumentando que algunas experiencias visuales conllevan información acerca de tantos objetos, propiedades y relaciones en un instante, que parece improbable que los sujetos posean e implementen conceptos para cada uno de los elementos representados de forma simultánea por la experiencia en ese momento. Si esto es así, entonces el conceptualismo de McDowell carece de suficiente respaldo.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[McDowell]]></kwd>
<kwd lng="en"><![CDATA[perceptual content]]></kwd>
<kwd lng="en"><![CDATA[conceptualism]]></kwd>
<kwd lng="en"><![CDATA[experiential richness]]></kwd>
<kwd lng="en"><![CDATA[sensory memory]]></kwd>
<kwd lng="en"><![CDATA[attention]]></kwd>
<kwd lng="es"><![CDATA[McDowell]]></kwd>
<kwd lng="es"><![CDATA[contenido perceptual]]></kwd>
<kwd lng="es"><![CDATA[conceptualismo]]></kwd>
<kwd lng="es"><![CDATA[riqueza experiencial]]></kwd>
<kwd lng="es"><![CDATA[memoria sensorial]]></kwd>
<kwd lng="es"><![CDATA[atención]]></kwd>
</kwd-group>
</article-meta>
</front><body><![CDATA[  <font face="verdana" size="2">      <p align="center"><font size="4"><b>Conceptual Content and   Unattended Visual Features<a href="#*" name="s*"><sup>*</sup></a></b></font></p>     <p align="center">   <font size="3"><i>Contenido conceptual y elementos visuales desatendidos</i></font></p> </font>     <p>&nbsp;</p>     <p align="right"><font size="2" face="verdana"><b>FRANCISCO PEREIRA</b></font></p>     <p align="right"><font size="2" face="verdana">   Universidad Alberto Hurtado - Chile, <a href="mailto:francisco@correo.org.uk">francisco@correo.org.uk</a></font></p>     <p align="right"><i>Art&iacute;culo recibido: 30 de octubre de 2008; aceptado: 7 de noviembre de 2008.</i></p> <font face="verdana" size="2"> <hr size="1">      <p>   <b>Abstract</b></p>     <p>   McDowell (1994) proposed a philosophical theory about perceptual content &mdash;call   it &quot;conceptualism&quot;&mdash; that states that in every case the content    of a visual experience   necessarily involves concepts that fully specify every single feature consciously   and simultaneously available during the experience. In this paper I will question   conceptualism, arguing that some visual experiences carry information about   so many objects, properties and relations at the same time that it is unlikely    for   subjects to possess and implement concepts for every feature represented simultaneously   by the experience at that time. If this is the case, then McDowell&#39;s   conceptualism is insufficiently grounded.</p> </font>     <blockquote>       ]]></body>
<body><![CDATA[<p><font face="verdana" size="2">     <i>Keywords:</i> McDowell, perceptual content, conceptualism, experiential     richness, sensory memory, attention.</font></p> </blockquote> <font face="verdana" size="2"> <hr size="1">      <p>   <b>Resumen</b></p>     <p>   McDowell (1994) propuso una teor&iacute;a filos&oacute;fica sobre el contenido    perceptual   &mdash;&quot;conceptualismo&quot;&mdash;, que establece que, en todos los    casos, el contenido de una experiencial   visual necesariamente contiene conceptos que especifican a cabalidad   cada uno de los elementos disponibles a nivel consciente y de manera simult&aacute;nea   durante una experiencia. En este art&iacute;culo cuestionar&eacute; la tesis    conceptualista, argumentando   que algunas experiencias visuales conllevan informaci&oacute;n acerca de   tantos objetos, propiedades y relaciones en un instante, que parece improbable   que los sujetos posean e implementen conceptos para cada uno de los elementos   representados de forma simult&aacute;nea por la experiencia en ese momento.    Si esto es   as&iacute;, entonces el conceptualismo de McDowell carece de suficiente respaldo.</p> </font>     <blockquote>       <p><font face="verdana" size="2">     <i>Palabras clave:</i> McDowell, contenido perceptual, conceptualismo, riqueza     experiencial, memoria sensorial, atenci&oacute;n. </font></p> </blockquote> <font face="verdana" size="2"> <hr size="1">      <p><b><font size="3">1. Introduction</font></b></p>     <p>   McDowell (1994) takes the traditional analogy between perception   and belief to a different level of discussion arguing that the contents   of visual experiences and the contents of belief must be of one and   the same fundamental kind, namely conceptual. You might think   that perceptual contents are <i>conceptual</i> only in the sense that they   cannot exceed our conceptual repertoire. However, as McDowell   understands conceptualism, the thesis involves a stronger claim.   Like most philosophers, he thinks that concepts are constitutive   elements of belief and judgements. But, being what we might call   an <i>unbounded conceptualist</i>, McDowell demands the same sort of   compositional structure constitutive of belief contents for visual/perceptual contents.<a href="#1" name="s1"><sup>1</sup></a> From now onwards I will understand the conceptualist   standpoint about visual content the way McDowell does.   Let&#39;s define the thesis as follows:</p>     <blockquote>   &#91;Conceptualism&#93; The philosophical view that states that in every   case the content of a visual experience necessarily involves concepts   that fully specify every single feature consciously and simultaneously   available during the experience.</blockquote> </p>     <p>   It is extremely important to provide some clues about how to   understand this thesis in order to avoid problems, especially if you   think that some of the terms included in the definition allow more   than one interpretation. First, I want to point out that according   to conceptualism, this must be true <i>in every case</i>; that is, it must be   true for <i>all</i> the contents of visual experience. Second, I am describing   conceptualism as the view according to which contents &quot;necessarily   involve&quot; concepts. This is a matter of necessity. Thus, you cannot   entertain in any way the contents without possessing and implementing   the relevant concepts. At the same time, I am using the verb   &quot;involves&quot; in its core sense in standard modern English: &quot;includes    as a necessary part&quot;.<a href="#2" name="s2"><sup>2</sup></a> It is crucial to emphasize that conceptualists   think of this &quot;involvement&quot; as structurally essential. That is,    as a   way of pointing out that visual contents are <i>composed</i> of concepts.</p>     <p>   Third, the compositional structural role of these concepts is   <i>exhaustive</i>. It is necessarily valid <i>for every single feature represented   simultaneously</i> during the experience. This is why conceptualism is   often described as the view that states that visual/perceptual contents   are always made up of concepts that subjects must possess and   implement for every single feature consciously and simultaneously   present during their experience. Finally, the definition highlights   that these concepts <i>fully specify</i> all the features consciously present   or represented simultaneously during a visual experience.<a href="#3" name="s3"><sup>3</sup></a></p>     ]]></body>
<body><![CDATA[<p>   We can see that conceptualists are not just saying that concepts   play a definitive role in the proper <i>characterization</i> of the contents of   visual experience or that these contents cannot exceed our conceptual   repertoire. They also think that these requirements are sufficient   for making these contents structurally conceptual in the way the   contents of belief are. As McDowell says, &quot;conceptual capacities, capacities   that belong to spontaneity, are already at work in experiences   themselves, not just in judgements based on them&quot; (24). In other   words, McDowell&#39;s conceptualism does not stop at the <i>epistemic</i>   level of content characterization, which reasonably may be regarded   as fully determined by the subject&#39;s conceptual repertoire. It goes   beyond the epistemological realm making claims about the constitutive   <i>metaphysical</i> dimension that determines what these contents   are made of.<a href="#4" name="s4"><sup>4</sup></a></p>     <p>I will attempt to show that the unbounded conceptualist account   proposed by McDowell is too strong. I do not see any problem with   the idea that perceptual contents are in principle describable or   characterizable by concepts. You may possess and implement the   concepts required to fully characterize the content of the experience   that you undergo when seeing a particular scene. However, I   think that the content itself &mdash;the way your experience consciously   represents the scene to be&mdash; may not be fully constituted or <i>composed</i>   of those concepts. In the following sections, I will question some of   the basic assumptions of McDowell&#39;s conceptualism on the basis of   the experiential or phenomenological <i>richness</i> that some visual experiences   exhibit. I will suggest that there are ways to represent the   world that do not recquire the exercise of conceptual abilities in the   way McDowell demands.</p>     <p>   <b><font size="3">2. Is Richness an Illusion?</font></b></p>     <p>   It is often said that one of the main features that distinguishes   perception from belief is that the contents of perception are <i>rich</i> in   a way that the contents of beliefs are not. So far, some visual experiences   can carry information about so many objects, properties and   relations at one time, that it is thus unlikely for subjects to always   possess and implement concepts for every feature represented simultaneously   by the experience. The idea of experiential richness &mdash;simply   &quot;richness&quot; henceforth&mdash; is not based only on the idea that    there are   many features that the experience could represent, but also on the   fact that these features can be represented simultaneously.<a href="#5" name="s5"><sup>5</sup></a></p>     <p>It is important to clarify that philosophical arguments based on   richness do not require an actual perception of <i>all</i> the features instantiated   within the limits of our visual field or that we have to perceive   everything in an <i>exhaustively detailed</i> fashion. In addition, arguments   based on richness do not demand that we <i>always</i> perceive many objects.   The arguments rest only on the plausible claim that we often   have very rich visual experiences, that is, experiences that simultaneously   carry information about very many objects, properties and   relations in the subject&#39;s environment and at a specific time.</p>     <p>   What is the importance of richness for the purposes of our   present discussion? The relevance seems to be straightforward.   Philosophers who challenge conceptualism think that if experiences   do carry information about very many features simultaneously, it   is unlikely that subjects could possess and implement concepts for   <i>all</i> these features at the same time. Richness is used to undermine the   constraints demanded by conceptualists about what we can visually   represent at a given time.</p>     <p>   In order to face the challenge, conceptualists can clearly take   at least two different strategies. First, conceptualists may attempt   to deny that visual experiences are actually rich in the specified   sense. Second, conceptualists may grant experiential richness putting   forward the thesis that richness doesn&#39;t undermine the basic   commitments of conceptualism. Only the first strategy will be   discussed in this section. In 2.1, I will consider the first line of argumentation,   focusing the discussion on the thought that we only   experience what we actually notice. Allegedly, if we only experience   what we actually notice during a visual episode, then visual/perceptual contents are not as rich as it is often assumed by theorists   who deny conceptualism. In 2.2, I will provide extra empirical   and philosophical evidence that positively suggests that the content   of visual experience is not fully constrained by what we actually   notice. All these considerations will show us that there are solid   grounds for the claim that visual experiences are often rich. Finally,   in section 3, I will question the idea that richness doesn&#39;t undermine   the basic commitments of conceptualism.</p>     <p>   2.1 <i>Experiencing and Noticing</i></p>     <p>   A conceptualist might argue that we only have cognitive access to   a visually represented object/feature when we actually <i>notice</i> or consciously   <i>attend</i> to that object/feature.<a href="#6" name="s6"><sup>6</sup></a> The idea of limiting what we visually represent    to conscious attention may explain, according to   some conceptualists, why we don&#39;t acquire beliefs about those objects/features that remain unnoticed. It seems that you don&#39;t have to   be a conceptualist to agree with this strategy, but it is clearly a line   of argumentation that a conceptualist could take to block, from the   beginning, any attempt to argue that some content is non conceptual,   based on the alleged <i>richness</i> exhibited by visual representations.   Following Chuard&#39;s (2007) comments on this strategy, the objection   to richness might take the following form:<a href="#7" name="s7"><sup>7</sup></a></p>     <blockquote>   (1) A feature <i>F</i> is represented by a visual experience <i>E</i> at time <i>t</i>,   only if the subject of experience <i>S</i> actually notices <i>F</i>.</p>     ]]></body>
<body><![CDATA[<p>   (2) Apart from <i>F</i>, there are several other features in S&#39;s visual field    at   time <i>t</i>, which unlike <i>F</i>, <i>S</i> does not notice when undergoing <i>E</i>.</p>       <p>(3) <i>S</i> does not represent many of the features in her/his visual field   when undergoing <i>E</i> at <i>t</i>.</blockquote> </p>     <p>   Given that condition, (2) states that the subject doesn&#39;t notice   some of the features in the visual field and that (1) states that experiencing   requires noticing; then, it follows that subjects fail to   experience several features located within the spectrum of the visual   field. The more objects, properties and relations are satisfying   condition (2), the less plausible is the idea that contentful experiences   are informationally rich. Indeed, some philosophers and   psychologists have claimed that the content of visual experience is   not as rich as we think it is. They claim that what we experience at   a given time is exhausted by the objects, properties and relations to   which we <i>consciously attend</i> at that particular time.</p>     <p>   O&#39;Regan and No&euml; (2001) think that the idea that we experience   more than what we consciously notice, and the thought that our   visual experiences are actually rich, are both literally a big illusion.   Among other theorists, (Blackmore <i>et al</i>. 1995; Rensink <i>et al</i>. 2000)   they explicitly endorse versions of assumptions (1) and (2) previously   considered on the basis of psychological experiments like &quot;changeblindness&quot;   or &quot;inattentional-blindness&quot; in which subjects fail to   notice objects and changes that take place in their visual fields. Let   us take a look at No&euml;&#39;s experimental cases and his conclusions:</p>     <blockquote>   The fact of change blindness is widely thought to have several   important consequences. First, perception is, in an important sense,   attention-dependent. You only see that to which you attend. If something   occurs outside the scope of attention, even if it&#39;s perfectly visible,   you won&#39;t see it. In one study, perceivers are asked to &#39;watch&#39;    a videotape   of a basketball game and they are asked to count the number of times one team    takes possession of the ball &#91;...&#93;. During the film   clip, which lasts a few minutes, a person in a gorilla suit strolls onto   the centre of the court, turns and faces the audience and does a little   jig. The gorilla then slowly walks off the court. The remarkable fact is   that perceivers (including this author) do not notice the gorilla. This   is an example of inattentional blindness. Second, perception is gistdependent.   Some changes, for example, in the features that affect the   gist of the scene, are more likely to be noticed &#91;...&#93;. Third, it seems   that the brain does not build up detailed internal models of the scene;   that is, it doesn&#39;t perform the integration of information across successive   fixations, contrary to the assumption of traditional orthodoxy   &#91;...&#93;. (2002 5s)</blockquote> </p>     <p>   Theorists who try to defend this view based on cases of changeblindness   or inattentional-blindness usually say that we have the   <i>illusion</i> that we experience some phenomenon, even if we are consciously   attending to that phenomenon. Imagine, for example, that   your closet has an automatic light, so every time you open the door   the light is actually on. This might lead someone to believe that the   closet&#39;s light is on all the time. Similarly, No&euml; and O&#39;Regan    argue that   every time we attend to something we become consciously aware of   it, but this might produce the <i>illusion</i> that we are consciously aware   of that thing even if we are not attending to it. Strictly speaking,   they argue that because in those circumstances in which we are not   consciously attending to those things, they don&#39;t look or seem any   particular way to us, it seems more reasonable to claim that in those   circumstances we do not <i>experience</i> those things.</p>     <p>   I was very lucky to participate in inattentional-blindness   and change-blindness experiments conducted by O&#39;Regan at the   University of Sussex in 2004. I, like the 90% of the audience that   followed O&#39;Regan&#39;s detailed instructions in the former case, didn&#39;t   notice that a person wearing a gorilla suit strolled from left to right   on the screen during a span of 5 seconds. In the second case, something   similar that involved change-blindness happened to me when   I didn&#39;t notice that there was a shift in the location of an important   feature of two similar images presented in short succession. I think   that these experiments are very interesting and help us understand   several facts about the limits of attention and the cognitive economy   we apply when following a particular set of instructions. However, I   don&#39;t think that we necessarily have to accept the conclusions of No&euml;   and O&#39;Regan about richness.</p>     <p>   Consider, for example, the images typically used in &quot;disappearance&quot;   change-blindness experiments. When shown one after   another in short succession, subjects are usually not able to detect   that in the second image there are some important features that   have completely disappeared. According to the argument against richness, as    in the case of the &quot;gorilla&quot; inattentional-blindness,   the evidence sufficiently supports not only the idea that we do not   experience all the features in our visual field, but also that visual   content is really sparse and does not go beyond what is consciously   noticed by the observers.<a href="#8" name="s8"><sup>8</sup></a></p>     <p>   Despite the fact that this interpretation of change-blindness experiments   has captured some theoretical interest, I do not think   it is sufficiently convincing. Indeed, I think that we should not be   forced to accept the alleged conclusion, especially if we think there   is a plausible explanation for these phenomena which does not rest   on the idea that we only represent visually what we actually notice,   as No&euml; and O&#39;Regan suggest. A perfectly good explanation for   the famous &quot;gorilla&quot; inattentional-blindness case is that subjects   do not notice the presence of the gorilla because their attention is   mainly focused on one specific task, namely, on counting the number   of passes between the members of one of the basketball teams   as required by the &quot;instructions&quot;.</p>     <p>   Similarly, a different and perfectly good explanation for changeblindness   cases is that subjects fail to notice the difference between   the pictures because, when searching for a difference, their attention   is basically focused on the main features exhibited. Had the subjects   been properly instructed, for example, to focus on the specific features   that would later vanish, they would definitively have noticed   the changes. As Tye (2006) points out, this alternative standpoint   is fully compatible with the intuition that in fact we do experience   changes and elements, even though we do not consciously attend or   notice them under specific circumstances.</p>     ]]></body>
<body><![CDATA[<p>   The fact that we do not notice, for example, changes in location or   the absence of a relevant feature in a succession of images is perfectly   consistent with the claim that these features do appear at the personal   level of visual content and that they do determine what it is like for   us to have a visual experience.<a href="#9" name="s9"><sup>9</sup></a> This is particularly clear in changeblindness   experiments in which there is a change in the location of   one of the objects. Subjects don&#39;t see <i>that</i> there is a difference in the   location, but the objects do appear in different positions (without that   change being <i>noticed</i>). Fred Dretske (2007) has recently argued that   the same happens in change-blindness experiments involving the   comparison between two walls of bricks shown one after another, each with some    bricks missing. In the case that Dretske considers   an extra brick is added to the second wall and you are not able to   see that there is a difference between the first and the second wall.   Dretske thinks that a perfectly good explanation of what is going   on in this experiment is that we do see the object that makes the   difference, but we do not see <i>that</i> there is an object that makes the   difference. That is why we do not see <i>that</i> there is a difference between   the two walls. On the basis of alternative interpretations of   this kind, and alternative interpretations about what actually happens   in change-blindness experiments, we might reasonably argue   that what we experience at a particular time might be not necessarily   constrained by what we actually <i>notice</i> at that time. O&#39;Regan and   No&euml;&#39;s suggestions have important consequences about the limits of   attention, but do not force us to accept that experiential richness is   necessarily an illusion. The claim that <i>some</i> of our visual experiences   carry information about very many objects, properties and relations   in the environment is still a good premise that we might use as part of   an argument.</p>     <p>   2.2 <i>Sensory Memory and Phenomenal Consciousness</i></p>     <p>   In the previous subsection I defended the claim that some contentful   visual experiences are rich, against those who think, on the   basis of experiments involving inattentional-blindness and changeblindness,   that this is actually an illusion. In this subsection I want   to provide further empirical evidence and philosophical considerations   that positively suggest that the content of visual experience   is not fully constrained by attention and that there are grounds for   the claim that visual experiences are often rich. I want to start the   discussion with some remarks about the connection among perception,   memory and conscious attention. After that, I will introduce   some variations of Sperling&#39;s (1960) experiments on sensory memory   that help to back up this line of argumentation.</p>     <p>   Memory and perception have a strong connection; a reflection   of this is the authority and force that memory states have regarding   perceptual events in the past and our present beliefs. It seems that   memory states can provide evidence of how things were in the past   independently of what we actually believed at that time, moving us   to form new beliefs that may affect our behaviour. Allegedly, you may   remember having a visual experience of some sort, even if at the time   of the original experience you did not pay attention to <i>that</i> thing.   Some theorists (Dretske 1969; Martin 1992) have emphasized exactly   this relevant point. Suppose last night you went to a gala dinner at the   Royal Institute of Philosophy. Suppose you spent the dinner talking   with a beautiful lady. You might have failed to <i>notice</i> the wrinkles near   the lady&#39;s eyes, despite the fact that you were actually facing her for   most of the night. Maybe you were too absorbed trying to understand the lady&#39;s    philosophical arguments to notice her wrinkles. However,   surely you could hardly have failed to see the wrinkles, especially if   we consider that the lady&#39;s face was literally in the centre of your   visual field. This is why you might later realize that she actually had   deep wrinkles, remembering how her face <i>looked</i>. In other words,   you might recall that information at a time after the experience, by   virtue of your sensory/perceptual memory.</p>     <p>   The possibility of retrieving information about some object   that wasn&#39;t noticed suggests that you did consciously perceive that   object in the first place. In this particular example, assuming that   perceptual memory is representational and it is working faithfully,   you remember the way something &mdash;the eye wrinkles&mdash; actually appeared   to you. Perceptual memory grounds the intuitive idea that   something <i>p</i> consciously appeared to you, even if you didn&#39;t notice   <i>p</i>.<a href="#10" name="s10"><sup>10</sup></a> If normal observers can literally remember <i>seeing</i> what they had   not previously noticed, then it is <i>possible</i> for a subject S to have a   contentful visual experience at time <i>t</i><sub>1</sub> involving a particular feature   <i>F</i>, without necessarily noticing <i>F</i> at <i>t</i><sub>1</sub>.</p>     <p>   The relevance of this sort of case for our present discussion   &mdash;even if not conclusive&mdash; is at least suggestive and hard to deny.    It   clearly illustrates that visual experiences differ from beliefs in the   sense that &quot;experience can on occasion be inert with respect to belief   &mdash;one can simply fail to notice how things are experienced&mdash;&quot;    (Martin   753). In addition, and more importantly, if the implementation of a   concept for an object/property is actually <i>sufficient</i> for <i>noticing</i> that   object/property, then the possibility of perceiving <i>x</i> without noticing   <i>x</i> entails that subjects/creatures can be visually aware of <i>x</i> without   forming a concept of it. In summary, contra conceptualism, the possibility   of retrieving information about things that at first we did not   notice, suggests that one can visually represent something without   possessing or implementing a concept of it.</p>     <p>   Finally, I want to make some comments based on Michael Tye&#39;s   (2006) recent interpretations of Sperling&#39;s (1960) experiments on   sensory memory. Tye&#39;s views provide further support not only for   the thesis that we can visually represent more than what we actually   <i>notice</i> at a particular time, but also for the idea of experiential richness    that we will use in the next section as part of the argument   against conceptualism. Let&#39;s consider one particular case that Tye   (<i>ibid.</i>) introduces as a variation of the experiments originally provided   by Sperling in 1960.</p>     <p>   In this variation, call it <i>A</i>, subjects were shown an array of letters,   composed of three rows with four letters each. The array was   presented in the centre of the subject&#39;s visual field for 50 m, followed   by a blank field; the subjects were then asked about what they saw   under two different sets of conditions or instructions that they had   to follow: (i) Please identify as many letters as possible or (ii) Please   identify the letters present in a single row (to be determined by a   tone immediately after the disappearance of the display).</p>        <p>    <center><img src="img/revistas/idval/v58n140/v58n140a06f1.jpg"></center>  </p>     ]]></body>
<body><![CDATA[<p>Some of the results have interesting consequences. In <i>A</i>(i) subjects   were typically able to identify at most 1/3 of the total of twelve letters   displayed. In <i>A</i>(ii) subjects were normally capable of reporting three   out of four letters. Interestingly, the accuracy level clearly decreased   as the time gap between the tone and the disappearance of the array   increased. Sperling explained these results hypothesizing that &quot;there   is a visual <i>sensory memory</i> that fades very quickly&quot; (Tye 510). This is   particularly striking in <i>A</i>(ii), a situation in which the subjects are   still capable of reporting three out of four letters in a row of four,   especially if we recall that subjects simply don&#39;t know the particular   row until the tone sounds after the array display disappears.   Apparently, subjects are able to report accurately three out of four   letters in part because <i>sensory memory</i> preserves information about   every letter shape displayed before the tone.</p>     <p>   It is worth saying that what Sperling had in mind when he introduced   the idea of <i>sensory memory</i> is what we would ordinarily call   &quot;the look or the appearance of the array&quot; (Tye 511). The main idea    is   that in <i>A</i>(ii), when the array is no longer displayed, &quot;it still <i>appears</i>    to   be displayed&quot; (<i>ibid</i>.). This is very important for our purposes because   it suggests that sensory memory operates at the level of appearances;   that is, at the conscious level of representational awareness and not   merely at the subpersonal early stages. This is not a conclusion that   Tye justifies only on the basis of Sperling&#39;s experiments.</p>     <blockquote>   Other experiments support Sperling&#39;s position. For example,   when subjects are shown two brief random dot presentations, one after the other,    that when superimposed form single letters, the subjects   accurately report the letters, provided that the time gap between   the presentations is 300 mseconds or less (Eriksen and Collins 1967).   Evidently, the initial display appears to last longer than it really does by   some 300 mseconds; the result is that the letters appear to &quot;pop out&quot;    of   the dot patterns, according to the subjects. (Tye 511)</blockquote> </p>     <p>   The importance of these experiments for our discussion is that   despite the possibility of having facts not captured in sensory memory,   we can reasonably claim that our visual experiences represent,   at the conscious level, information which is at least as rich as the   information represented by our sensory memory.<a href="#11" name="s11"><sup>11</sup></a> Indeed, scenarios   like <i>A</i>(ii) make it plausible to claim that the letters to which   the subjects are not actually attending when following instructions   are nonetheless represented at the phenomenal level, in a way that   &quot;<i>would</i> have enabled the subjects to identify them, <i>had</i> their attention   been directed differently&quot; (Tye 513), for example, if the subjects   had been instructed to identify a different row of letters after the   array&#39;s disappearance. The representational content of some visual   experiences is apparently unconstrained by what we can actually   attend or judge during the experiences. If this is so, then our assumption   that some visual contents are rich remains unharmed by   considerations based on selective attention. It seems that it is possible   to experience more than what we <i>notice</i>.</p>     <p>   <b><font size="3">3. The Argument from Richness</font></b></p>     <p>   3.1 <i>Introduction</i></p>     <p>   The main thought underlying the idea of experiential richness   is that visual contents represent information about so many objects,   properties and relations at one time, that it is difficult to think that   subjects can actually possess and implement Neo-Fregean concepts   for every single feature represented at that time. Unfortunately, the   idea of &quot;richness&quot; is often not clearly distinguished from the different   thought that visual content is detailed or <i>fine grained</i>. It is important to   keep these two aspects apart, especially if we observe that <i>richness</i> and   <i>fineness of grain</i> might posit different challenges for conceptualism.</p>     <p>   For example, imagine that you perceive two shades of green   against a white background. We might say that despite the fact   that your experience doesn&#39;t contain information about too many   objects/properties, the content of your perception nonetheless represents   these shades in a very detailed and fine-grained fashion. In this sense, <i>richness</i>    and <i>fineness</i> of grain should be kept apart for   argumentative purposes. A <i>fine-grained</i> visual experience doesn&#39;t   necessarily need to be informationally rich in terms of how many   objects or properties it represents. Similarly, a visual experience may   carry information about many objects and properties, but this does   not entail that this information is <i>detailed</i> or <i>fine-grained</i>. Keeping   in mind that richness and fineness of grain may challenge conceptualism   in different ways, I want to assess in this section whether or   not it is possible to argue against conceptualism using the possibility   of having experiences with informationally <i>rich</i> content. Let&#39;s   start summarising the main idea of experiential richness:</p>     <blockquote>   &#91;Richness&#93; The content of a subject&#39;s particular visual experience   <i>E</i> is rich if, and only if, it presents information about many objects,   properties and relations to the subject at the same time.</blockquote> </p>     <p>   It is important to mention that richness isn&#39;t something that   has to be accomplished by all visual experiences. As we said before,   it is not difficult to think about perceptual scenarios in which   the amount of information is minimal or simply poor. At the   same time, the idea of richness does not require <i>all</i> the objects or   features located in the range of the subject&#39;s visual field to be represented.   Nor does it require the objects/features to be represented in   <i>full detail</i>. Richness only demands the possibility of having visual   experiences representing several features (objects, properties, etc.)   instantiated in the subject&#39;s immediate environment at the same   time, that is, <i>simultaneously</i>.</p>     ]]></body>
<body><![CDATA[<p>   In the previous section we provided empirical evidence that suggests   that sometimes we do have visual experiences that represent   more elements than those we actually notice at a particular time. In   this respect, we might say that we have equated the notion of visual   experience with what is noticeable or available in the content at the   time of undergoing the experience. However, the fact that some of our   experiences are rich does not by itself represent a problem for those   who think that visual content is fully conceptual. Indeed, theorists   who have played an important role in defining conceptualism, such   as McDowell, fully accept that we have visual experiences with <i>rich</i>   content. Following Chuard (2007), I think that if we want to challenge   conceptualism, richness must be used only as a background   assumption or premise of the following line of argumentation:<a href="#12" name="s12"><sup>12</sup></a></p>     <blockquote>   &#91;Argument from Richness&#93; If it is possible for a subject <i>S</i> to have   an informationally rich visual experience <i>E</i>, then it is possible that <i>S</i>   does not possess or implement a concept for at least one of the many   features (objects, properties and relations) consciously represented in   <i>E</i> at the same time.</blockquote> </p>     <p>The main idea underlying what we might call the &quot;argument   from richness&quot; is that <i>some</i> visual experiences can carry information   about so many objects, properties and relations in the environment   <i>simultaneously</i>, that it is unlikely for subjects to always possess and   implement concepts for <i>every</i> feature consciously represented by   the experience at the same time. In the previous section we provided   evidence that suggests that the antecedent of the argument is   extremely plausible. Subjects can visually represent objects/properties   instantiated in the environment without attending, noticing or   forming conscious beliefs on the basis of them.</p>     <p>   If we think that we can perceive unattended objects that nonetheless   determine what it is like for us to have those experiences, then we   could also claim that in these particular cases the relevant perceptual   contents are <i>richer than</i> the contents of beliefs, judgements and other   propositional attitudes that we may form on their basis. Allegedly,   the contents of perception might contain more information than the   content of beliefs because they rule out more possibilities. The idea of   perceptual contents being <i>richer than</i> belief contents is clearly part,   for example, of Dretske&#39;s (1981) famous distinction between analog   and digital ways of encoding information; and also of Crane&#39;s (2001)   view, in which the content of perception is replete in a way that belief-content    is not. Indeed, he claims that &quot;your belief that someone is   smoking outside is neutral on whether this is a man or a woman, and   therefore does not rule either possibility out; your perception might   well rule out one of these possibilities&quot; (Crane 151).</p>     <p>   Assuming that all these considerations are connected with the   antecedent of the argument from richness, we need to assess whether   or not they can help to support the consequence, namely, the thought   that it is possible for a subject to have a visual experience without possessing   or implementing a concept for at least one of the many features   (objects, properties and relations) consciously represented in <i>E</i> at the   same time. In other words, we need to clarify in what sense the argument   from richness represents a real challenge for conceptualism.</p>     <p>   3.2 <i>Simultaneity and McDowell&#39;s &quot;Passive&quot; Conceptualism</i></p>     <p>   Conceptualists need to accept that it is possible for a subject   to have an informationally <i>rich</i> experience, denying that this entails   the possibility of a subject entertaining an experience without   possessing or implementing a concept for at least one of the many   features represented. I understand that conceptualists generally   think that perceivers do possess concepts for the different objects/properties manifested during a particular visual episode. Indeed,   even if subjects sometimes do not possess sophisticated conceptual   resources, it seems that they do possess some basic conceptual resources   &mdash;such as demonstrative concepts&mdash; that can play that role. A subject    may not possess the concept <i>LLAMA</i>, but she is surely capable   of referring to the llama by virtue of a demonstrative concept. She   might refer to the llama as <i>that</i> thing even if she doesn&#39;t know <i>that</i> that   is a llama. If conceptualists can reasonably say that for every single   element represented in visual content there is always some demonstrative   concept possessed by the subject, it seems that the conclusion of   the Argument from Richness must be grounded in something else.</p>     <p>   We said that conceptualism is the philosophical view that states   that <i>all</i> visual contents include concepts (which subjects must possess   and implement) as necessary parts that fully specify every   single feature consciously available during an experience at the   same time. I think that the main problems conceptualism has to   face regarding the argument from richness are related to the demand   for subjects to implement concepts for every single feature   represented by the experience &quot;simultaneously&quot; (at the same time).   Let&#39;s consider the following strategy that I think opponents of conceptualism   may reasonably put forward:</p>     <blockquote>   1. It is  possible for a subject <i>S</i> to have an informationally <i>rich</i> visual   experience <i>E</i>.</p>     <p>   2. &#91Conceptualist Assumption&#93 Subjects generally do possess concepts   for each object, property or relation consciously represented   during a <i>rich</i> visual experience <i>E</i>.</p>     ]]></body>
<body><![CDATA[<p>   3. However, subjects can only implement a certain number of concepts   in any visual experience <i>E</i> at any given time.</p>     <p>   4. Therefore, even if <i>S</i> does possess the required concepts, it is possible   that <i>S</i> does not implement a concept for at least one of the   many features (objects, properties and relations) consciously represented   in <i>E</i> at a given time.</blockquote> </p>     <p>   Conceptualists generally accept (1) and grant (2), which is a   fundamental requirement for the idea of conceptual content. The   main problem for conceptualists seems to be premise (3) that states   that it is impossible for subjects to implement so many concepts   simultaneously. Allegedly, the idea of <i>simultaneity</i> plays a central   role as a formal constraint on the implementation of the concepts.   In the prior section we used some of Sperling&#39;s experiments to   show that we can consciously experience more than what we actually   <i>notice</i> and that some visual representations are in fact rich.<a href="#13" name="s13"><sup>13</sup></a>   I think that we can use similar data to establish that sometimes subjects fail    to implement concepts for at least one of the features   of the representational content of the experience. If we remember   the experiments about sensory memory, it seems clear that there is   empirical/psychological evidence suggesting that subjects represent   more information than what they are actually capable of processing   at the level of belief or judgement. In addition, subjects often fail to   report more than 3 or 4 letters in these experiments mainly because   <i>there isn&#39;t enough time</i> to process the information at what we might   call the cognitive conceptual level. Even though subjects are not   able to notice all the elements that determine the phenomenology   of their experiences, information about <i>all</i> these elements is actually   stored at the conscious representational level. Is this a genuine   challenge for conceptualists?</p>     <p>   On the one hand, it seems there are good reasons to say that   these considerations do undermine the conceptualist strategy. One   might think, for example, that we only implement concepts for the   objects/features that we actually <i>notice</i> at a given time. If we visually   represent more than what we actually notice, as Tye (2006)   suggests, then it seems that it is possible for a subject to undergo an   experience with a content involving a feature <i>F</i> (object, property or   relation) without noticing <i>F</i>. If attention is a requirement for the implementation   of concepts, then it is actually possible to claim that a   subject can visually represent <i>F</i> without implementing a concept for   <i>F</i>. On the other hand, a conceptualist could embrace the idea that   subjects can implement concepts for unattended features during a   particular visual experience, especially if we recall that concepts   (or the conditions for possessing concepts) are specified in terms of   possession and exercise of sets of psychological abilities, such as the   ability to recognize and discriminate.<a href="#14" name="s14"><sup>14</sup></a></p>     <p>   In principle, it is open for conceptualists to claim that the allegedly   unattended elements which figure in the content of experience   are nonetheless conceptual. Conceptualists could argue that there   are good reasons why subjects do not pay attention to these elements;   for example, because they are somehow too familiar and not really   relevant for the specific tasks that we perform on a certain occasion.   They could insist that sometimes we don&#39;t attend or notice some objects,   properties or relations which are consciously available during a particular    experience because we categorize or &quot;conceptualize&quot;   those features as irrelevant for different reasons. For example, when   you drive you privilege certain aspects of your visual experience by   attending to them. You pay careful attention to cars, intersections,   traffic lights and other things because you need to. However, you   might not pay attention to some things, such as the colour of the dress   of the woman that is crossing the street or the new shape of the advertisement   on the corner. However, in what sense are these unattended   elements still conceptual? I think that the main challenge remains   intact, unless conceptualists provide a good explanation of how it is   possible to deploy a concept for an unattended feature.</p>     <p>   Probably one of the main reasons why we are moved to understand   concept implementation as something that requires attention   is that we intuitively think of &quot;conceptualization&quot; as a process    that   involves an &#39;active cognitive engagement&#39; with those objects and   properties presented in the content of the experience. We assume   that to <i>conceptualize</i> is a mental process that involves a transition   between states or events of one kind to states or events of a different   kind. That is why we generally distinguish between the concepts   that we possess, the process of applying those concepts and <i>what</i>   (object/property/relation) is being conceptualized. I take it that <i>what</i>   is being conceptualized &mdash;at least in perceiving the worldly objects/properties that constitute the content of experience&mdash; is not something   intrinsically determined by the psychological abilities we   possess or implement. On the contrary, the objects of conceptualization   seem to be concept-free elements that figure in our experience   <i>as falling</i> under a concept. In summary, we don&#39;t think about the   variety of elements that constitutes the types of visual experiences   that we have as being, by themselves, conceptual.</p>     <p>   Influenced by the work of McDowell, orthodox conceptualists   argue that we can exercise concepts &mdash;even for unattended   features&mdash; because the content of perception is constitutively conceptual,   that is, literally composed of concepts. Despite the fact that   we commonly think of conceptualization as something that we <i>do</i>   (actively), those who endorse McDowell&#39;s strategy think that we can   <i>passively</i> exercise concepts in experience. Following Neo-Kantian   intuitions, McDowell argues that concepts are cognitively available   in experience because experiences are &quot;constitutively&quot; determined   by concepts. If this is the case and experiential types are in fact fully   determined by concepts, then we might be able to &quot;passively exercise&quot;   these concepts as McDowell suggests:</p>     <blockquote>I said that when we enjoy perceptual experience conceptual   capacities are drawn on in receptivity, not exercised on some supposedly   prior deliverances of receptivity. And it is not that I want   to say they are exercised on something else. It sounds off key in this   connection to speak of exercising conceptual capacities at all. That would suit    an activity, whereas experience is passive. In experience   one finds oneself saddled with content. One&#39;s conceptual capacities   have already been brought into play, in the content&#39;s being available   to one, before one has any choice in the matter. (10)</blockquote> </p>     <p>   This argument, that we can exercise concepts &quot;passively&quot;, seems   to be immune to the challenge based on perception without attention.   Indeed, McDowell (1994) fully endorses all the commitments   required by conceptualism as I am defining the view. He fully acknowledges   that perceptual content is constitutively composed of   concepts (Neo-Fregean) for every single feature of conscious experience.   In his opinion, contents are built-up by concepts, and that is   why &quot;a judgement of experience does not introduce a new kind of   content, but simply endorses the conceptual content, or some of it,   that is already possessed by the experience on which it is grounded&quot;   (McDowell 48s) and emphasises that, strictly speaking, experience   is just &quot;a rich supply of already conceptual content&quot; (<i>id</i>. 49).    This   approach demands conceptual constraints at the attributional level   and also at the metaphysical constitutive level, on the basis of mainly   epistemological reasons. Like Brewer (1999), McDowell thinks that   if perceptual experiences can be reasons for empirical beliefs, then   the contents of perception must be structured in the same way the   contents of beliefs are.</p>     <p>   In summary, conceptualists like McDowell might grant that   some visual contents are rich and argue that it is perfectly possible   to have a visual experience involving features that we do not notice,   without accepting the alleged non conceptual nature of these   unattended features. Given the constitutive link between concepts   and contents, conceptualists think that we wouldn&#39;t have contentful   visual experiences if we did not possess and implement &mdash;&quot;actively&quot;   or &quot;passively&quot;&mdash; all the concepts required for a full characterization   of those contents. Apparently, this view forces us to say that,   during perception, it is not possible to isolate our concepts from   what makes these concepts available. I understand that this is why   McDowell insists on two important things. First, he says that even   if we are not actively exercising those concepts in the form of belief   or judgement, those conceptual abilities have been already &quot;brought   into play&quot; or &quot;drawn into operation in receptivity&quot; (McDowell    10).   Second, he adds that even in this passive modality <i>what we experience   is</i>, for instance, &quot;<i>that things are thus and so</i>&quot; (<i>id</i>. 9). The former   claim is just another way of stating his compositional-metaphysical   commitment to what it takes for a content to be conceptual. The latter   is a reminder that for him seeing is always seeing <i>that</i> such and   such is the case and that perception is <i>fundamentally</i> propositional   (not merely describable in terms of propositions). </p>     ]]></body>
<body><![CDATA[<p>I think conceptualism would be acceptable if these ideas were   cogent enough. However, I think that McDowell&#39;s way of stating   the position is highly unsatisfactory in two respects. My first worry   is very simple: Is it possible to make sense of McDowell&#39;s beautiful   metaphorical use of expressions in which concepts are said to be   &quot;passively exercised&quot; by subjects and &quot;brought into play&quot;    or &quot;drawn   on&quot; in perceptual experience? My second worry is even more important:   Is it possible to harmonize McDowell&#39;s conceptualism with   explanatory roles allegedly played by experience in developmental   theories of concept possession? I will finish this section discussing   these two issues in turn and I will point out that conceptualism   doesn&#39;t provide a satisfactory answer to these worries.</p>     <p>   Let&#39;s start with McDowell&#39;s idea that concepts can be implemented   in experience <i>passively</i>. For McDowell, a visual experience does   not only make concepts available, but also these concepts are &quot;drawn   on&quot; in having the experience. Some of these concepts require one to   be &quot;actualized&quot; if we want to characterize how the experience represents   the world in the form of judgement or belief. However, given that   conceptualists think that contents necessarily &quot;include&quot; concepts    for   each feature, these concepts remain as essential constitutive parts of   the relevant contents, even if they are not literally &quot;actualized&quot;    or actively   exercised. In other words, subjects can passively exercise those   concepts even if they are not actualized in the form of a proper characterization.   How do we make sense of this suggestion?</p>     <p>   One option is to claim that concepts are <i>subpersonal</i> psychological   abilities, which are exercised when a subject undergoes an   experience of a certain type. These subpersonal psychological abilities   may take part of the experience and can be &quot;passively exercised&quot;   by subjects, even if these subjects do not consciously engage with   them. Accordingly, concepts do constitute visual experiences, even if   not all of them are consciously implemented in the characterization   of the content of the experience. I think this strategy is misguided   because not only conceptualism, but also and more generally, the   crucial <i>philosophical</i> debate about conceptual and non conceptual   content, is a debate about what constitutes the representational <i>contents</i>   and not the <i>vehicle</i> of these contents. Indeed, McDowell seems   to agree with me in this respect, when he explicitly distinguishes the   abilities that animals and infants may possess at the subpersonal level   from the conceptual abilities that human adults implement when   visually representing the world, and points out that only the latter   are philosophically relevant (<i>cf</i>. McDowell, especially chapter 6-7).</p>     <p>   A second suggestion is that what is &quot;passively exercised&quot; &mdash;at   least in the case of perception&mdash; is something conceptual that actually   constitutes the world. Something similar to a &quot;thinkable content&quot;,    a   conceptual entity that constitutes the world. I think there are good   textual reasons for claiming that in McDowell&#39;s theory the contents of    perceptions are <i>facts</i>, which are literally built up out of concepts.   Apparently, McDowell identifies <i>facts</i> with the actual constituents of   the world that we represent during perceptual experiences. In other   words, McDowell understands perception fundamentally as a factdirected   attitude. However, I think that understanding perception   as a fact-directed attitude seems fully inadequate if we want to   keep a realistic ontology about the actual constituents of the mindindependent   world.</p>     <p>   Why do I think that McDowell&#39;s characterization of perception as   a fact-directed attitude is at odds with basic realistic ontology about   the objects of perception? Well, mainly because we are naturally inclined   to think that the actual constituents of the <i>fabric of the world</i> we   consciously represent during perceptual experiences are not thoughts   or judgements considered as true. Rather differently, we think about   the things we represent as different from the thoughts we have about   them. Indeed, our judgements and beliefs are said to be correct or incorrect   in relation to them, so they cannot be identical with them.   However, McDowell argues in the opposite direction and tends to   identify what we see with what we judge to be the case. His theory   does not capture what I take as a very plausible idea, namely, that perceiving   essentially relates us to <i>concrete</i> constituents of reality and not   to &quot;thinkable contents&quot;. A philosopher who has recently unmasked   the same point is Johnston (2006):</p>     <blockquote>   The decisive problem with the Fact-Directed Attitude View is   that it does not earn the right to the metaphor of the senses taking in   <i>concrete</i> reality. According to the View, the relation between what we   sense and what we sometimes go on to judge is particularly intimate.   It is identity. If the sensed scene is simple enough we can visually   sense that p and then judge that p; here the very same item is sensed   and judged. The objects of judgment are bearers of truth-values, and   when their subject matter is contingent those bearers can be either   true or false. Since the truth about the scene before the eyes is mostly   contingent, most perceptual judgments are directed at truth-value   bearers that might have been false. But <i>concrete reality</i> does not consist   of items that could have been false. Concrete reality consists of   items whose existence accounts for the truth of what is contingently   true and for the falsity of what is contingently false. (269-270)</blockquote> </p>     <p>   Johnston&#39;s comments are fully compatible with the primitive   realist idea of perceptual states or episodes as relations with   objects and properties that constitute a concrete and mind-independent   reality, as opposed to relations to truth-value bearers or   McDowellian &quot;thinkable thoughts&quot; fully made out of concepts that   could have been false. In other words, my complaint is that the reality or the    world we perceive should not be described primarily   as a world made out of thoughts.<a href="#15" name="s15"><sup>15</sup></a></p>     <p>   The previous remarks are directly connected with the second   and final worry about conceptualism that I wanted to emphasize   in this section. The conceptualist idea that visual contents constitutively   demand the possession and implementation of concepts   seems to underestimate the importance of developmental explanations   of concept possession and the idea that experiences have   a substantial explanatory role. My worry is that when we think   that visual contents are always necessarily composed of concepts,   we are misleadingly identifying our conceptual abilities with what   makes these abilities available in the first place. Cognitive scientists   have insisted several times, on the basis of evolutionary and   naturalistic constraints, that <i>experiences</i> are what make conceptual   abilities available and not the other way around.</p>     <p>   We possess and are able to implement certain psychological   abilities <i>because</i> our experiential interaction with the environment   has had an enormous impact by modelling and determining how   we think about objects and properties in the world. In this sense,   visual representations <i>of</i> objects do not consist on something like   grasping thoughts about objects. On the contrary, experiences   provide us with the abilities to think about objects and not vice   versa. For example, we are able to experience a particular object   as being an instance of the concept <i>PENCIL</i> or as instantiating   the property of <i>BEING BLUE</i> because experience has taught us   to do so.<a href="#16" name="s16"><sup>16</sup></a> Conceptualists emphasize that perceptual contents do   not involve more than our ability to possess and implement the   concepts required for a full characterization of those experiences   from a first-person perspective. However, their explanation of how we come to    possess and implement those abilities in the first place   seems unsatisfactory.<a href="#17" name="s17"><sup>17</sup></a></p>     <p>   <font size="3"><b>4. Final Remarks</b></font></p>     ]]></body>
<body><![CDATA[<p>   In this paper we emphasized that some psychological experiments   suggest that there are some important constraints in connection with   the amount of conscious representational information that subjects   can actually notice during experience. If sometimes subjects do not   <i>notice</i> all the represented elements, then it seems possible that sometimes   subjects do not implement a concept for at least one of the many   features (objects, properties and relations) represented in <i>E</i> at a given   time. Conceptualists may attempt to avoid this consequence by saying   that those unattended features are conceptual, despite the fact that we   do not actively engage with them in terms of attention.</p>     <p>   McDowell&#39;s (1994) view is the paradigmatic example of radical   conceptualism that accepts richness, but denies the alleged non   conceptual nature of unattended elements. According to McDowell,   some elements are not &quot;actively&quot; conceptualized during perception.   However, they are nonetheless conceptual because they are &quot;passively   exercised&quot; abilities, which are &quot;brought into play&quot; or &quot;drawn    on&quot; in   perceptual experience. We have seen that these ideas involve serious   problems, not only in connection with our basic realist understanding   about the constituents of the world that are presented during   perception, but also regarding the developmental and non-circular   explanatory theories of concept possession. We can say, based on   these important considerations, that conceptualism is not conclusively   grounded and does not provide a satisfactory answer to the   Argument from Richness. In principle, it is reasonable to claim that   perceptual experiences can carry information about so many objects,   properties and relations at one time, that it is difficult to think that   subjects could possess and implement Neo-Fregean concepts for every   feature represented simultaneously by the experience.</p> <hr size="1">     <p><a href="#s*" name="*"><sup>*</sup></a> I want to express my gratitude to the audiences of the II International Colloquium of   the Chilean Society for Analytic Philosophy (Santiago, Chile) and the II Workshop on Language, Logic and Cognition (C&oacute;rdoba, Argentina).</p>     <p><a href="#s1" name="1"><sup>1</sup></a> According to the standard Neo-Fregean interpretation that McDowell seems to   accept, the conditions of possession of these concepts are individuated by sets of psychological   abilities that subjects must possess and exercise in order to entertain a   content of a particular type. As Evans (1982) argues, a subject cannot be attributed   with the possession of a concept unless he exhibits some degree of generality at the   level of implementation. In this sense, McDowell&#39;s proposal clearly follows Evans&#39;s   (1982) generality constraint. Broadly speaking, Evans&#39; followers seem to agree that the   possession of a concept at least involves the ability to identify and re-identify things   and properties that fall under that concept, the ability to perform inferences, the   ability to apply the same concept to different things, and the ability to discriminate   between what falls under that concept or does not, among other abilities. From now   onwards I will use the label &quot;conceptualism&quot; exclusively to talk about McDowell&#39;s   specific proposal. My criticisms are not targeted at alternative theories of concepts that may not share some or all of McDowell&#39;s Neo-Fregean commitments.</p>     <p><a href="#s2" name="2"><sup>2</sup></a> The Concise Oxford English Dictionary (2001) explicitly acknowledges this    constitutive   interpretation.</p>     <p>   <a href="#s3" name="3"><sup>3</sup></a> In this paper, I have assumed that all the qualitative aspects of visual experience    can   be accounted for in representational terms. In this sense, when I say that concepts   fully capture the fine-grained phenomenology of every feature represented simultaneously,   I do mean that they fully capture or specify every single feature of conscious   experience.</p>     <p>   <a href="#s4" name="4"><sup>4</sup></a> You might have two worries concerning my characterization of McDowell as an   <i>unbounded conceptualist</i>. First, you might think that my account of McDowell&#39;s    conceptualism   is <i>too strong</i>, especially if you think that his remarks about conceptual   content are restricted to those aspects of perceptual content which are able    to justify   an empirical judgement at a given time. Second, on the basis of this consideration,   you might also be inclined to think that McDowell&#39;s conceptualism is actually    compatible   with some weak version of content nonconceptualism. I think that accepting   these remarks is equal to simply misrepresent McDowell&#39;s standpoint. It    is true that   the fundamental concern underlying McDowell&#39;s proposal about perceptual    content   is an epistemic justification. However, the consequences of McDowell&#39;s    strategy are   not limited to the elements of content that play a certain justificatory role    at a given   time. According to McDowell, perceptual contents are exhaustively propositional;    that is, to experience or to perceive something is always to perceive <i>that such    and   such is the case</i>. Moreover, if perceptual contents can be the contents of judgements,   McDowell argues that they must be contents of a very specific kind, namely   contents of a judgeable or conceptual <i>kind</i>. This last claim makes me think that   McDowell is making a more extreme ontological claim about the intentional content   of our experiences. Indeed, I do not seem to be the only one that thinks so.   In his recent introduction to McDowell&#39;s philosophical thought, Maximilian    de   Gaynesford (2004) has argued that for McDowell &quot;experience is essentially    a concept-   employing exercise&quot; and that &quot;experiences are the impacts of the    world on   our senses; and those impacts already have conceptual content&quot; (96). In    summary,   if for McDowell experiences are <i>essentially</i> conceptual and as sensorial impacts   <i>already</i> have conceptual content, his version of conceptualism is indeed strong    and   goes far beyond the limits of what is actually playing a justificatory role    at a given   time. McDowell&#39;s conceptualism is unbounded and incompatible with any    version   of content nonconceptualism. I want to thank an anonymous reviewer from <i>Ideas   y Valores</i> that advised me to clarify this important point.</p>     <p>   <a href="#s5" name="5"><sup>5</sup></a> We need to keep in mind that perception is a relational state involving introspective   and non-introspective elements. When I say that subjects can represent &quot;many&quot;   elements, the amount of information should be specified not only using subjective    criteria, but also with objective data obtained by scientists; for example,    by specifying   the number of things available for representation in the subject&#39;s visual    field.</p>     <p>   <sup><a href="#s6" name="6">6</a></sup> I assume that in order to <i>notice</i> something we require at least being consciously   attending to that feature. Therefore, one of the ways of undermining the claim    that experiencing   something requires noticing that thing is to claim that we can consciously experience    <i>p</i>, without consciously attending to <i>p</i>.</p>     <p>   <a href="#s7" name="7"><sup>7</sup></a> Some of my comments are clearly based on Chuard&#39;s (2007) excellent remarks    on this   topic. His influence will also be clear when discussing the argument from richness.</p>     ]]></body>
<body><![CDATA[<p><a href="#s8" name="8"><sup>8</sup></a> For a good example of the kind of images used in &quot;disappearance&quot;    change-blindness   experiments, check Kelly <i>et al</i>. (2003). To understand why we might be able to    draw   a connection between inattentional-blindness experiments and the idea that visual   content is really sparse, check No&euml; (2002).</p>     <p>   <a href="#s9" name="9"><sup>9</sup></a> When I say that a feature can appear at the personal level of visual content    even if we   are not <i>attending</i> or <i>noticing</i> its presence, I am assuming that the feature is    actually a   constitutive element of the phenomenal character of experience.</p>     <p><a href="#s10" name="10"><sup>10</sup></a> A different strategy would be to argue that concepts are subpersonal psychological   abilities that can be exercised by subjects unconsciously. This strategy could ground   the idea that we can consciously retrieve information that was actually &quot;conceptual&quot;   from the very beginning. However, the relevant idea of concept possession that   McDowell&#39;s philosophical project integrates is very different from this psychological   characterization of concepts at the subpersonal level. What matters for McDowell   and for the philosophical debate about conceptual and nonconceptual content is what   happens at the level of appearances at a given time; for example, when consciously seeing eye wrinkles without noticing their presence.</p>     <p><a href="#s11" name="11"><sup>11</sup></a> For more empirical data that suggest that the information is stored at the phenomenal   conscious level and is not just retrieved from subpersonal computational states when required, check Tye (511).</p>     <p><a href="#s12" name="12"><sup>12</sup></a> I am greatly indebted to Chuard&#39;s (2007) interpretation on this issue.</p>     <p><a href="#s13" name="13"><sup>13</sup> </a>I would like to thank Laura Duhau for her comments on this part of the paper   during the II Workshop on Language, Logic and Cognition (C&oacute;rdoba, Argentina).   They were helpful to clarify the use of some key expressions and to claim that, in   this context, for a subject to be <i>visually aware of x</i> only means that the subject is   consciously representing <i>x</i>, without <i>attending</i> or <i>noticing x</i> as present in her experience. Therefore, &quot;awareness&quot; or &quot;consciousness&quot; is not restricted to attention.</p>     <p><a href="#s14" name="14"><sup>14</sup></a> Perhaps a conceptualist could alternatively argue that bits of information that we did   not consciously experience remain available at the subpersonal level and that it is   only when this information becomes the target for selective attention that it becomes   part of the conceptual representational content of experience. I don&#39;t think this is a   good strategy, mainly because the whole point is that richness is something available   for subjects at the phenomenological conscious level from the beginning. Therefore,   to claim that something becomes part of the representational content only when attended and conceptualized begs the fundamental challenge.</p>     <p><a href="#s15" name="15"><sup>15</sup></a> This is particularly relevant if we bear in mind the possibility of having    illusory   experiences that are fully veridical (Johnston 271). The fact-directed view    implicit   in McDowell&#39;s conceptualism entails that the concepts which constitute    the facts that   we perceive are not only individuated in terms of the abilities that you possess    and   implement, but also that they are actual constituents of reality, which are    identical   with the things you are representing while veridically perceiving. However,    if veridical   illusions are possible, a subject can fail to be aware of what makes the thoughts   in question true. Something similar happens if we allow the possibility of radical   hallucinations and recognize (unlike McDowell) that we are talking about genuine   contentful experiences. In both cases, I think subjects are literally <i>short    of concrete   reality</i>, despite the fact that they cognitively entertain &quot;thinkable contents&quot;.</p>     <p>   <a href="#s16" name="16"><sup>16</sup></a> In fact, we will see that there are grounds to claim that other creatures    that do not   possess the concepts required for the full characterization of some contents,    such as   infants and higher animals could equally entertain them. They have not evolved    the   way we have, but this does not mean that they do not represent objects and properties   at the conscious experiential level.</p>     <p><a href="#s17" name="17"><sup>17</sup></a> In the last paragraphs of lecture <i>six of Mind and World</i>, McDowell points out that   &quot;it is not even intelligible to suppose a creature might be born at home in the space   of reasons. Human beings are not: they are born mere animals, and they are transformed   into thinkers and intentional agents in the course of coming to maturity&quot;   (125). McDowell seems to address, at least indirectly, my concern regarding the explanatory   role allegedly played by experience in developmental theories of concept   possession in this paragraph. Unfortunately, his picture of &quot;initiation into the space of reasons&quot; (<i>ibid</i>.) does not press the issue further and remains unsatisfactory.</p> <hr size="1">     ]]></body>
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