<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0123-5931</journal-id>
<journal-title><![CDATA[Literatura: Teoría, Historia, Crítica]]></journal-title>
<abbrev-journal-title><![CDATA[Lit. teor. hist. crit.]]></abbrev-journal-title>
<issn>0123-5931</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional de Colombia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0123-59312022000100131</article-id>
<article-id pub-id-type="doi">10.15446/lthc.v24n1.95531</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A (des)figuração da dramaturgia de Tennessee Williams a partir da obra de Yukio Mishima]]></article-title>
<article-title xml:lang="es"><![CDATA[La (des)figuración de la dramaturgia de Tennessee Williams a partir de la obra de Yukio Mishima]]></article-title>
<article-title xml:lang="en"><![CDATA[The (Des)figuration of Tennessee Williams' Dramaturgy from Yukio Mishima's Works]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Toledo]]></surname>
<given-names><![CDATA[Luis Marcio Arnaut de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de São Paulo  ]]></institution>
<addr-line><![CDATA[São Paulo ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<volume>24</volume>
<numero>1</numero>
<fpage>131</fpage>
<lpage>163</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0123-59312022000100131&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0123-59312022000100131&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0123-59312022000100131&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este trabalho apresenta a fase japonesa (1957-1969) de Tennessee Williams. Para tanto, concentra sua investigação na influência do dramaturgo Yukio Mishima, dos teatros Nô e Kabuki e das estéticas contraculturais do off e off-off-Broadway nas chamadas late plays. Dessa forma, o artigo contextualiza o conjunto de obras desse período, além de revelar as circunstâncias social, histórica, cultural e biográfica do dramaturgo. Também identifica expedientes que as tornaram distintas daquelas obras mais celebradas: autodestruição, canibalismo, violência extrema e morte. Assim, conclui-se que Williams desenvolve uma narrativa que explora o vazio, a quietude, o silêncio, a incompletude, a ambiguidade da vida e da morte, a cultura e as doutrinas orientais, além da metateatralidade.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este trabajo presenta la fase japonesa (1957-1969) de Tennessee Williams. Para ello, centra su investigación en la influencia del dramaturgo Yukio Mishima, los teatros nô y kabuki, y la estética contracultural del off y off-Broadway en las llamadas late plays. Así, el artículo contextualiza el conjunto de obras de este período, además de revelar las circunstancias sociales, históricas, culturales y biográficas del dramaturgo. También identifica dispositivos que las diferenciaron de las obras más celebradas: autodestrucción, canibalismo, violencia extrema y muerte. Dicho esto, se concluye que Williams desarrolla una narrativa que explora el vacío, la quietud, el silencio, la incompletitud, la ambigüedad de la vida y la muerte, la cultura y las doctrinas orientales, además de la metateatralidad.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This work presents the Tennessee Williams's Japanese phase (1957-1969). Therefore, it focuses on the influence of playwright Yukio Mishima, the Noh and Kabuki Theatres, and the countercultural aesthetics of off and off-Broadway in the late plays. In this way, the article contextualizes the set of works from that period, in addition discuss the circumstances of social, historical, cultural, and biographical context of the playwright. It also identifies expedients that made them distinct from those plays most celebrated: self-destruction, cannibalism, extreme violence, and death. That said, we conclude that Williams develops a narrative that explores emptiness, stillness, silence, incompleteness, ambiguity of life and death, oriental culture and doctrines, in addition to metateatrality.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[dramaturgia]]></kwd>
<kwd lng="pt"><![CDATA[Kabuki]]></kwd>
<kwd lng="pt"><![CDATA[Nô]]></kwd>
<kwd lng="pt"><![CDATA[teatro]]></kwd>
<kwd lng="pt"><![CDATA[Tennessee Williams]]></kwd>
<kwd lng="es"><![CDATA[dramaturgia]]></kwd>
<kwd lng="es"><![CDATA[kabuki]]></kwd>
<kwd lng="es"><![CDATA[nô]]></kwd>
<kwd lng="es"><![CDATA[teatro]]></kwd>
<kwd lng="es"><![CDATA[Tennessee Williams]]></kwd>
<kwd lng="en"><![CDATA[dramaturgy]]></kwd>
<kwd lng="en"><![CDATA[kabuki]]></kwd>
<kwd lng="en"><![CDATA[noh]]></kwd>
<kwd lng="en"><![CDATA[theater]]></kwd>
<kwd lng="en"><![CDATA[Tennessee Williams]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</person-group>
<source><![CDATA[Tennessee Williams - Plays 1957-1980]]></source>
<year>2000</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[The Library of America]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[Tennessee]]></given-names>
</name>
</person-group>
<source><![CDATA[The Theatre of Tennessee Williams - Volume 1]]></source>
<year>1990</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[New Directions]]></publisher-name>
</nlm-citation>
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<ref id="B33">
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[Tennessee]]></given-names>
</name>
</person-group>
<source><![CDATA[The Theatre of Tennessee Williams - Volume 3]]></source>
<year>1990</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[New Directions]]></publisher-name>
</nlm-citation>
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<ref id="B34">
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[Tennessee]]></given-names>
</name>
</person-group>
<source><![CDATA[The Theatre of Tennessee Williams - Volume 4]]></source>
<year>1993</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[New Directions]]></publisher-name>
</nlm-citation>
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[Tennessee]]></given-names>
</name>
</person-group>
<source><![CDATA[The Theatre of Tennessee Williams - Volume 8]]></source>
<year>1992</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[New Directions]]></publisher-name>
</nlm-citation>
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[Tennessee]]></given-names>
</name>
</person-group>
<source><![CDATA[The Travelling Companion and Other Plays]]></source>
<year>2008</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[New Directions]]></publisher-name>
</nlm-citation>
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[Tennessee]]></given-names>
</name>
</person-group>
<source><![CDATA[The Two-Character Play]]></source>
<year>1997</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[New Directions]]></publisher-name>
</nlm-citation>
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</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Lady from the Village of Falling Flowers: A Japanese Fantasy]]></article-title>
<source><![CDATA[Annual Provincetown Tennessee Williams heater Festival]]></source>
<year>2019</year>
<numero>14</numero>
<issue>14</issue>
</nlm-citation>
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<ref id="B39">
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<person-group person-group-type="author">
<name>
<surname><![CDATA[Williams]]></surname>
<given-names><![CDATA[Tennessee]]></given-names>
</name>
<name>
<surname><![CDATA[Windham]]></surname>
<given-names><![CDATA[Donald]]></given-names>
</name>
</person-group>
<source><![CDATA[You Touched Me! - a Romantic Comedy in Three Acts]]></source>
<year>2010</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Samuel French]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
