<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0123-5931</journal-id>
<journal-title><![CDATA[Literatura: Teoría, Historia, Crítica]]></journal-title>
<abbrev-journal-title><![CDATA[Lit. teor. hist. crit.]]></abbrev-journal-title>
<issn>0123-5931</issn>
<publisher>
<publisher-name><![CDATA[Universidad Nacional de Colombia]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0123-59312022000100321</article-id>
<article-id pub-id-type="doi">10.15446/lthc.v24n1.98444</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Ficciones conspirativas actuales. Tres cuentos de La música interior de los leones]]></article-title>
<article-title xml:lang="en"><![CDATA[Contemporary Conspiracy Fictions. Three Short Stories From La música interior de los leones]]></article-title>
<article-title xml:lang="pt"><![CDATA[Ficções de conspiração atuais. Três contos de La música interior de los leones]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Feuillet]]></surname>
<given-names><![CDATA[Lucía]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Centro de Investigaciones y Estudios sobre Cultura y Sociedad  ]]></institution>
<addr-line><![CDATA[Córdoba ]]></addr-line>
<country>Argentina</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2022</year>
</pub-date>
<volume>24</volume>
<numero>1</numero>
<fpage>321</fpage>
<lpage>338</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S0123-59312022000100321&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S0123-59312022000100321&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S0123-59312022000100321&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente texto aborda tres cuentos de La música interior de los leones (2019), de Martín Cristal, en una lectura que se interroga sobre el carácter conspirativo de las ficciones narrativas actuales, desde la perspectiva de la hermenéutica dialéctica. En "Vivir a la sombra", "Farmagedón" y "Ofrenda", el policial se amplía hasta poner en cuestión las fobias sociales, reescribe las coordenadas del terror y extiende la incertidumbre a los paradigmas cognitivos vigentes mediante la alusión a la ciencia ficción. Así, la conspiración se dibuja en el tejido discursivo como red de redes, forma totalizante privilegiada, invisible y conflictiva que permite leer los núcleos de dominación.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper analyzes three short stories from La Música Interior de los Leones (2019), by Martin Cristal. It focuses on the conspiratorial nature of current narrative fictions from the perspective of dialectical hermeneutics. In the imaginary worlds of "Vivir A La Sombra", "Farmagedón", and "Ofrenda", the detective genre expands to question social phobias, rewrites the coordinates of terror, and extends uncertainty to scientific paradigms through the allusion to science fiction. Thus, the conspiracy is drawn from the discursive organization as a network of networks, a privileged, invisible, and conflictive totalizing form that allows the nuclei of domination to be read.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O texto aborda três histórias de La música interior de los leones (2019), de Martin Cristal, em uma leitura que se interroga sobre o caráter conspirativo das ficções narrativas atuais, desde a perspectiva da hermenêutica dialética. Em "Vivir a la sombra", "Farmagedón" e "Ofrenda", o policial se amplia até colocar em questão as fobias sociais, reescreve as coordenadas do terror e estende a incerteza aos paradigmas científicos por meio da alusão à ciência de ficção. Dessa maneira, a conspiração se desenha como uma teia de redes, de forma totalizadora e privilegiada, invisível e conflitiva que nos permite entender os núcleos de sua dominação.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Argentina]]></kwd>
<kwd lng="es"><![CDATA[hermenéutica dialéctica]]></kwd>
<kwd lng="es"><![CDATA[literatura contemporánea]]></kwd>
<kwd lng="es"><![CDATA[Martín Cristal]]></kwd>
<kwd lng="en"><![CDATA[Argentine]]></kwd>
<kwd lng="en"><![CDATA[dialectical hermeneutics]]></kwd>
<kwd lng="en"><![CDATA[contemporary literature]]></kwd>
<kwd lng="en"><![CDATA[Martín Cristal]]></kwd>
<kwd lng="pt"><![CDATA[Argentina]]></kwd>
<kwd lng="pt"><![CDATA[hermenêutica dialética]]></kwd>
<kwd lng="pt"><![CDATA[literatura contemporânea]]></kwd>
<kwd lng="pt"><![CDATA[Martín Cristal]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Adorno]]></surname>
<given-names><![CDATA[Theodor W]]></given-names>
</name>
</person-group>
<source><![CDATA[Introducción a la dialéctica]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Eterna Cadencia]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barrenechea]]></surname>
<given-names><![CDATA[Ana María]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ensayo de una tipología de la literatura fantástica (a propósito de la literatura hispanoamericana)]]></article-title>
<source><![CDATA[Revista Iberoamericana XXXVIII]]></source>
<year>1972</year>
<volume>80</volume>
<page-range>391-403</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barthes]]></surname>
<given-names><![CDATA[Roland]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Las unidades de la verdad]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Link]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
</person-group>
<source><![CDATA[El juego de los cautos]]></source>
<year>2003</year>
<page-range>55-6</page-range><publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[La Marca]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Boltanski]]></surname>
<given-names><![CDATA[Luc]]></given-names>
</name>
</person-group>
<source><![CDATA[Enigmas y complots. Una investigación sobre las investigaciones]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Fondo de Cultura Económica]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bracamonte]]></surname>
<given-names><![CDATA[Jorge]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Área cultural y transformaciones artísticas: La narrativa contemporánea de Córdoba, Santa Fe y Entre Ríos]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Monteleone]]></surname>
<given-names><![CDATA[Jorge]]></given-names>
</name>
</person-group>
<source><![CDATA[Historia crítica de la Literatura Argentina. Una literatura en aflicción]]></source>
<year>2018</year>
<page-range>383-415</page-range><publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Emecé]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Capanna]]></surname>
<given-names><![CDATA[Pablo.]]></given-names>
</name>
</person-group>
<source><![CDATA[El sentido de la ciencia-ficción]]></source>
<year>1966</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Columbia]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cristal]]></surname>
<given-names><![CDATA[Martín]]></given-names>
</name>
</person-group>
<source><![CDATA[La música interior de los leones]]></source>
<year>2019</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Fundación El Libro]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[De Rosso]]></surname>
<given-names><![CDATA[Ezequiel]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[En el octavo círculo: ficciones policiales argentina]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Monteleone]]></surname>
<given-names><![CDATA[Jorge]]></given-names>
</name>
<name>
<surname><![CDATA[Jitrik]]></surname>
<given-names><![CDATA[Noé]]></given-names>
</name>
</person-group>
<source><![CDATA[Historia crítica de la Literatura Argentina. Una literatura en aflicción]]></source>
<year>2018</year>
<volume>12</volume>
<page-range>617-52</page-range><publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Emecé]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[De Rosso]]></surname>
<given-names><![CDATA[Ezequiel]]></given-names>
</name>
</person-group>
<source><![CDATA[Nuevos secretos. Transformaciones del relato policial en América Latina (1990-2000)]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Liber Editores]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="confpro">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dellepiane]]></surname>
<given-names><![CDATA[Ángela B]]></given-names>
</name>
</person-group>
<source><![CDATA[Narrativa argentina de ciencia ficción. Tentativas liminares y desarrollo posterior]]></source>
<year>1989</year>
<conf-name><![CDATA[ IXCongreso de la Asociación Internacional de Hispanistas]]></conf-name>
<conf-loc>Francfort </conf-loc>
<page-range>515-25</page-range></nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="book">
<collab>Eco, Umberto</collab>
<article-title xml:lang=""><![CDATA[Una (tópica]]></article-title>
<person-group person-group-type="author">
<name>
<surname><![CDATA[Link]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
</person-group>
<source><![CDATA[Escalera al cielo. Utopía y ciencia ficción]]></source>
<year>1994</year>
<page-range>22-30</page-range><publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[La Marca]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fisher]]></surname>
<given-names><![CDATA[Mark]]></given-names>
</name>
</person-group>
<source><![CDATA[Lo raro y lo espeluznante]]></source>
<year>2018</year>
<publisher-loc><![CDATA[Barcelona ]]></publisher-loc>
<publisher-name><![CDATA[Alpha Decay]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Freud]]></surname>
<given-names><![CDATA[Sigmund]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Lo ominoso]]></article-title>
<source><![CDATA[Obras completas Volumen XVII. De la historia de una neurosis infantil (el "Hombre de los Lobos") y otras obras (1917-1919)]]></source>
<year>2013</year>
<page-range>216-51</page-range><publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Amorrortu]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gandolfo]]></surname>
<given-names><![CDATA[Elvio]]></given-names>
</name>
</person-group>
<source><![CDATA[El libro de los géneros recargado]]></source>
<year>2017</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Blatt &amp; Ríos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jackson]]></surname>
<given-names><![CDATA[Rosemary]]></given-names>
</name>
</person-group>
<source><![CDATA[Fantasy: literatura y subversión]]></source>
<year>1986</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Catálogos]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jameson]]></surname>
<given-names><![CDATA[Fredric]]></given-names>
</name>
</person-group>
<source><![CDATA[Documentos de cultura documentos de barbarie. La narrativa como acto socialmente simbólico]]></source>
<year>1989</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Visor]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jameson]]></surname>
<given-names><![CDATA[Fredric]]></given-names>
</name>
</person-group>
<source><![CDATA[Posmodernismo. La lógica cultural del capitalismo avanzado]]></source>
<year>2012</year>
<volume>1</volume>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[La Marca]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Link]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
</person-group>
<source><![CDATA[El juego de los cautos]]></source>
<year>2003</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[La Marca]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Link]]></surname>
<given-names><![CDATA[Daniel]]></given-names>
</name>
</person-group>
<source><![CDATA[Escalera al cielo. Utopía y ciencia ficción]]></source>
<year>1994</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[La Marca]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mattio]]></surname>
<given-names><![CDATA[Juan]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Hay más cosas]]></article-title>
<source><![CDATA[Paisajes experimentales. Antología de nueva ficción extraña]]></source>
<year>2020</year>
<page-range>9-17</page-range><publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Indómita Luz]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Piglia]]></surname>
<given-names><![CDATA[Ricardo]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[La ficción paranoica]]></article-title>
<source><![CDATA[Clarín. Suplemento Cultura y Nación]]></source>
<year>1991</year>
<page-range>4-5</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Piglia]]></surname>
<given-names><![CDATA[Ricardo]]></given-names>
</name>
</person-group>
<source><![CDATA[Teoría del complot]]></source>
<year>2015</year>
<publisher-loc><![CDATA[Buenos Aires ]]></publisher-loc>
<publisher-name><![CDATA[Editorial Mate]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pons]]></surname>
<given-names><![CDATA[Sebastián]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Editorial: de lo mollar al tuétano, ida y vuelta]]></article-title>
<source><![CDATA[Palp. Revista de géneros]]></source>
<year>2013</year>
<page-range>5-9</page-range><publisher-loc><![CDATA[Córdoba ]]></publisher-loc>
<publisher-name><![CDATA[Llanto de Mudo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Romero]]></surname>
<given-names><![CDATA[José Manuel]]></given-names>
</name>
</person-group>
<source><![CDATA[Hacia una hermenéutica dialéctica]]></source>
<year>2012</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Síntesis]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Suvin]]></surname>
<given-names><![CDATA[Darko]]></given-names>
</name>
</person-group>
<source><![CDATA[Metamorphosis of science fiction. On the Poetics and History of a Literary Genre]]></source>
<year>1979</year>
<publisher-loc><![CDATA[New Heaven and London ]]></publisher-loc>
<publisher-name><![CDATA[Yale University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Todorov]]></surname>
<given-names><![CDATA[Tzvetan]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Definición de lo fantástico]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Roas.]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<source><![CDATA[Teorías de lo fantástico.]]></source>
<year>2001</year>
<page-range>47-64</page-range><publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Arco]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
