<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2145-8987</journal-id>
<journal-title><![CDATA[Perífrasis. Revista de Literatura, Teoría y Crítica]]></journal-title>
<abbrev-journal-title><![CDATA[perifrasis. rev.lit.teor.crit.]]></abbrev-journal-title>
<issn>2145-8987</issn>
<publisher>
<publisher-name><![CDATA[Departamento de Humanidades y Literatura de la Universidad de los Andes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2145-89872026000100054</article-id>
<article-id pub-id-type="doi">10.25025/perifrasis202617.37.03</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El gesto mudo: readecuaciones de lo musical desde las affordances del cómic en Glenn Gould: una vida a contratiempo de Sandrine Revel]]></article-title>
<article-title xml:lang="en"><![CDATA[The Mute Gesture: Musical Reconfigurations through the Comic's Affordances in Glenn Gould: A Life Off Tempo by Sandrine Revel]]></article-title>
<article-title xml:lang="pt"><![CDATA[O gesto mudo: reconfigurações do musical a partir das affordances dos quadrinhos em Glenn Gould: una vida a contratiempo de Sandine Revel]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gutiérrez]]></surname>
<given-names><![CDATA[Julio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Adolfo Ibáñez  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Chile</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2026</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2026</year>
</pub-date>
<volume>17</volume>
<numero>37</numero>
<fpage>54</fpage>
<lpage>72</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_arttext&amp;pid=S2145-89872026000100054&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_abstract&amp;pid=S2145-89872026000100054&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://www.scielo.org.co/scielo.php?script=sci_pdf&amp;pid=S2145-89872026000100054&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[RESUMEN El presente artículo se propone revisar los recursos y procedimientos que, desde la narratología del cómic, se emplean para readecuar aspectos del discurso sonoro-musical. A partir del concepto de remediación, se busca mostrar la versatilidad de las media affordances del cómic para adaptarse a distintos lenguajes, medios y sistemas semióticos. Considerando que el medio secuencial no puede reproducir sonido, se demostrará que, mediante la visualidad, el cerrado y otros recursos propios del cómic, es posible reconstruir el discurso musical en una clave inherente a la secuencialidad gráfica.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[ABSTRACT The present article aims to review the resources and methods employed in comic narratology to readjust aspects of musical sound discourse. Through the examination of the concept of remediation, it seeks to demonstrate the versatility of the media affordances of comics to adapt to different languages, media, and semiotic systems. Considering that the sequential medium cannot reproduce sound, it will be shown that through visuality, closure, and other resources inherent to comics, musical discourse can be reconstructed in a manner intrinsic to graphic sequentiality.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[RESUMO O presente artigo tem como objetivo revisar os recursos e modos empregados pela narratologia dos quadrinhos para readequar aspectos do discurso sonoro-musical. Por meio da análise do conceito de remediação, busca-se demonstrar a versatilidade das affordances midiáticas dos quadrinhos para adaptar-se a diferentes linguagens, meios e sistemas semióticos. Considerando que o meio sequencial não pode reproduzir som, demonstra-se que, por meio da visualidade, do fechamento e de outros recursos próprios dos quadrinhos, é possível reconstruir o discurso musical em uma chave inerente à sequencialidade gráfica.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[música]]></kwd>
<kwd lng="es"><![CDATA[remediación]]></kwd>
<kwd lng="es"><![CDATA[cómic]]></kwd>
<kwd lng="es"><![CDATA[narratología]]></kwd>
<kwd lng="es"><![CDATA[semiótica]]></kwd>
<kwd lng="es"><![CDATA[semiósfera]]></kwd>
<kwd lng="es"><![CDATA[Sandrine Revel]]></kwd>
<kwd lng="es"><![CDATA[media affordances]]></kwd>
<kwd lng="en"><![CDATA[music]]></kwd>
<kwd lng="en"><![CDATA[remediation]]></kwd>
<kwd lng="en"><![CDATA[comic]]></kwd>
<kwd lng="en"><![CDATA[narratology]]></kwd>
<kwd lng="en"><![CDATA[semiotics]]></kwd>
<kwd lng="en"><![CDATA[semiosphere]]></kwd>
<kwd lng="en"><![CDATA[Sandrine Revel]]></kwd>
<kwd lng="en"><![CDATA[media affordances]]></kwd>
<kwd lng="pt"><![CDATA[música]]></kwd>
<kwd lng="pt"><![CDATA[remediação]]></kwd>
<kwd lng="pt"><![CDATA[quadrinhos]]></kwd>
<kwd lng="pt"><![CDATA[narratologia]]></kwd>
<kwd lng="pt"><![CDATA[semiótica]]></kwd>
<kwd lng="pt"><![CDATA[semiosfera]]></kwd>
<kwd lng="pt"><![CDATA[Sandrine Revel]]></kwd>
<kwd lng="pt"><![CDATA[affordances midiáticas]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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