Music and Literature |
| |
| · Decadent Beauty and the ultra-metalhead: a Brief Analysis of the Literary and Ideological Influences of Parabellum's Lyrics Bedoya Cely, Andrés Felipe
|
| |
| · The Function of the Waltz in Valses y otras falsas confesiones (1972) by Blanca Varela Fernández-Cozman, Camilo Rubén
|
| |
| · "The Sweet Sounds of the Infinite Instruments" from the Decameron Cappuccio, Chiara
|
| |
| · Son Jarocho's Versadoras: cyber-orality and Gender Subversion in Evelin Acosta's Decimario (2021) Piastro, Julia
|
| |
Literature, art and performativities in Latin America II |
| |
| · Soy canción que se lue/ de jonrón" (I am a Song that Became a Home Run). Translation, Performance and Archive in the Videopoems of Legna Rodríguez Iglesias Garbatzky, Irina
|
| |
| · Mistress or Slaves? Drifts of Lesbian Desire between Armando Bo and Manuel Puig Hafter, Lea
|
| |
Articles |
| |
| · Ernesto Sabato Antes del in: Autobiographical Thinking and Care of the Self Urriago Benítez, Hernando
|
| |
| · Oraliterature from the South of Tolima as Border Literature: Beyond Epistemic Coloniality Guerrero Rivera, Javier; Guzmán Chaves, Juan Pablo
|
| |
| · Ernesto’s Journey of Individuation: A Jungian Analysis of José María Arguedas’s Los ríos profundos Herrera Bejines, Luis Miguel
|
| |
| · Cubanness, Exile and Artist in Héctor Santiago's La memoria del agua Noa Bela, Charles Didier
|
| |
| · Cognition and Estrangement in Two Recent Argentinian Novels Feuillet, Lucía
|
| |
| · Music in the Film Adaptation of La noche de la Usina by Eduardo Sacheri Rivera, Claudia Caño
|
| |
| · Fictional Orality and Identity: The Case of Chabela in Hurricane Season by Fernanda Melchor Sandoval, Nathaly Bernal
|
| |
| · Palacios, Sánchez Gómez and Robinson Abrahams: a Reading of Three Novels that Contribute to the Afro-Colombian Heritage Arévalo Murcia, Edwin David
|
| |
| · Temporality and Simulacrum of the Medieval Past in the Literary Present of Postmodernity: the Reformulation of the Story of Apollonius of Tyre in Mark Haddon's The Porpoise Zubillaga, Carina
|
| |
| · Sonances and Dissonances: Listening to the Ukranian Soundscape in the Holodomor Context (1932-1933) Vásquez Zárate, G. Angélica
|
| |
| · Spaniards Exiled Poets in Dominican Republic (1939-1945) Alba Moreno, María del Carmen
|
| |
| · Symbiosis Between Nature and Humanity in the Socio-Ecocritical Reading of Three Songs by Víctor Jara Allende Pino, Cristóbal; Rodríguez Droguett, Elvira
|
| |
| · Ñausa urpi: the Symbol as a Figurative Resource in the Composition of Quechua Songs in the Narrative of José María Arguedas Flores, Federico Altamirano
|
| |
Andalusian women writers. Half a Century of Literary Contributions (1900-1950) |
| |
| · And the Woman became Awake: The Figure of Rosa in the Comedy De tal siembra tal cosecha (1899) by Ángeles López de Ayala. Towards a new prototype of femininity at the crossroads of centuries XIX-XX Martín-Clavijo, Milagro
|
| |
| · Lapsus calami and irony: On gender stereotypes in Carmen Martel's La Estrella de rubíes Sevilla-Vallejo, Santiago
|
| |
| · "Neither Have I Gone Mad nor Stupid": Writing as a Defense of Dignity in Agustina González López (1891-1936) Moreno-Lago, Eva
|
| |
| · The Feminist Discourse in the Blanca de los Ríos' Journalistic Work Toro, Juana Escabias
|
| |
| · Lota España: Unpublished Manuscripts of Dolores González Pérez, a Writer Forgotten by Patriarchal Criticism and Historiography García, Dolores Vela
|
| |
| · An Approach to María de los Reyes Fuentes and her Poetic Cycles González, Juan Aguilar
|
| |